Softcover. Chicago, IL, The Art Institute of Chicago, 1st, Book: Good, Dust Jacket: None, One of 1000 copies. 63 pages. B&W photographs. Frontispiece. Orange stiff-wrapper, completely detached with wear. Previous owner signature. Limited pencil markings throughout. Article and photograph laid-in. Some corners bent.
Softcover. New York, The New Press, 1st Edition, 1997, Book: Very Good, Dust Jacket: None, 188 pages. Softcover. Full color & b/w illustrations throughout. Featured in the New York Times, among other publications, essays on America's preference for invented environments. Clean, unmarked copy.
Hardcover. New York, NY, The MacMillan Company, Second Printing, 1971, Book: Very Good, Dust Jacket: Good, 268 pages. Hardcover. Brown cloth boards with light sunfade to edges & gilt titles to spine. Black & white illustrations throughout. Dust jacket with moderate wear to edges, small tears, price-clipped & light age toning. Author received the Pulitzer Prize for Distinguished Criticism in 1970, related ephemera laid-in. Light small spots to right edge. Else clean, unmarked.
Hardcover. NY, The Museum of Modern Art, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, 525 pages, hardcover. Dust jacket, blue cloth covers, and interior pages are all clean and bright. Light foxing is present on the top edge of the pages. Binding is solid. Contains B&W and full-color illustrations throughout. This book offers an enlightening analysis of the school, examining Beaux-Arts concepts of theory and practice and assessing major work by each of the school's main factions. It also covers the school's complex political and administrative history through a series of essays. Includes work by students of the school who subsequently became preeminent as professional architects. This is a large format book, available for DOMESTIC SHIPPING ONLY. Clean copy. Record # 34072
Softcover. Philadelphia, Victorian Society in America, 1st, 1982, Book: Very Good, Dust Jacket: None, 127 pages. Illustrated with b&w photos. Minor wear on front cover and on spine. The pages are clean and in very good condition. Record # 802489
Hardcover. New Haven, CT, Yale University Press, 1st, 2012, Book: Very Good, Dust Jacket: None, 169 pages, hardcover. Cloth covers have a few very minor stains on the rear, interior pages are clean and bright. Binding is solid. Full color illustrations throughout. This beautifully illustrated catalogue celebrates Homer's legacy at Prouts Neck, and documents the Portland Museum of Art's six-year conservation project to preserve the Winslow Homer Studio, the former carriage house in which Homer lived and worked. Photographs of the studio and site, never before open to the public, highlight views that are recognizable as the subjects of many of Homer's paintings. Essays by leading scholars examine his iconic masterpieces; his artistic development in Prouts Neck; the architecture of his studio; his relationship to French painting; and the full range of his marine paintings. Clean copy. Record # 33797
 "Architecture of the Ecole Des Beaux-Arts by: Editor: Drexler, Arthur")
 "Victorian Resorts and Hotels: Essays from a Victorian Society Autumn Symposium by: Wilson, Richard Guy(ed.)")
 "Weatherbeaten: Winslow Homer and Maine by: Editor: Denenberg, Thomas A.")
