softcover. New Haven, Yale University Press, reprint, 1993, Book: Good, Dust Jacket: None, 392 pages. Softcover. Extensive b&w and color photographs throughout. Includes extensive bibliography. Some stains to fore edge, otherwise clean, tight copy.
Paperback. Cambridge, MA, Cambridge University Press, 1st paperback, 1994, Book: Very Good, Dust Jacket: None, 220 pages, paperback. An exploration of the historical and theoretical relations between early abstract painting in Europe and the notion of purity. With black-and-white plates throughout. Light rubbing to wrappers. Unmarked. Bright and clean; a tight copy.
Softcover. New York, M. Knoedler & Co., Inc., 1st, 1980, Book: Very Good, Dust Jacket: None, 20 pages. Softcover. Illustrations in full color and black & white. Clean, tight copy.
Softcover. Dayton, OH, Dayton Art Institute, 1st, 1979, Book: Very Good, Dust Jacket: None, Exhibition catalog. Color laminate stapled wrappers, 8 large color plates, numerous b&w plates, essay by Neil Marshall, chronology and other biographical notes. Light rubbing to wrappers, pages crisp and unmarked; a very neat, tight catalog.
Softcover. New York, Leonard Hutton Galleries, 1st, 1971, Book: Very Good, Dust Jacket: None, 102 pages. Color and b/w illustrations throughout. To accompany exhibit at Leonard Hutton Galleries. Minor chipping and wear to covers and spine. Book pages slightly yellowed, edges yellowed.
Softcover. New York, New York, Pace Gallery, 1st, 1980, Book: Very Good, Dust Jacket: None, Exhibition catalog. Stiff covers with b&w graphic illustration and folded flaps, pink glitter illustration of scissors overlaid to front cover, introduction by Kim Levin, profusely illustrated with color and b&w plates, biographical notes. Slight rubbing to covers and wear to cover edges; otherwise a very tight, clean copy.
Softcover. New York, New York, Pace Gallery, 1st, 1980, Book: Very Good, Dust Jacket: None, Exhibition catalog. Stiff covers with b&w graphic illustration and folded flaps, pink glitter illustration of scissors overlaid to front cover, introduction by Kim Levin, profusely illustrated with color and b&w plates, biographical notes. Slight rubbing to covers, packaged in thin protective plastic slip; a very tight, clean copy.
Paperback. Columbus, OH, The Columbus Gallery of Fine Arts, 1st, 1974, Book: Very Good, Dust Jacket: None, Illustrated throughout in black and white. Some discoloration on wrapper, wear on binding, else a good, clean copy.
Softcover. Athens, GA, The Ohio University College of Fine Arts, 1st, 1979, Book: Very Good, Dust Jacket: None, 24 pages, paperback. An exhibition organized by Trisolini Gallery at Ohio University. Fading and light soiling to wraps. Mild edgewear. Color plates throughout. Unmarked. A tight copy.
Softcover. London, England, Zwemmer/Philip Wilson, 1st Paperback edition, 1994, Book: Very Good, Dust Jacket: None, 271 pages. Softcover. Color illustrations throughout. Slight tanning at top of pages from age, otherwise pages clean, no marking. Wrapper very good, still glossy. Binding good. No foxing. A collection of the work of artists who use shock tactics in their art. The works chosen are eye-catching, to say the least.
Softcover. Paris, Albert Benamou/Galerie du Genie, 1st, 1991, Book: Very Good, Dust Jacket: None, 24 pages. Pamphlet format exhibition catalog. Illustrated with full color examples of works by painter Steve Miller. Text in French and English. Clean, unmarked copy.
Hardcover. New York, NY, Harry N. Abrams, Inc., First Edition, 1996, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover. Black cloth covered boards with gilt titles to spine. Full page, full color illustrations throughout. Bright dust jacket with crisp edges, in very good condition. Tight binding, coffee table sized, sharp corners, clean & unmarked pages throughout.
Softcover. Ohio, Cleveland Center for Contemporary Art, 1st, 1984, Book: Very Good, Dust Jacket: None, Exhibition catalog. Black stapled covers with full-color illustration to front, white titles, essay by Elizabeth Frank, 19 full-color and b&w plates, biographical notes. Extremely minor wear to covers; a beautiful, clean, tight copy in great condtion.
Softcover. Waltham, Massachusetts, Rose Art Museum, Brandeis University, 1st, 1980, Book: Very Good, Dust Jacket: None, 80 pages. Tan wrappers with stamped titles, perfect binding, 98 color and b&w plates, essay by Gerald S. Bernstein, introduction by Bonny Saulnier. Clean wrappers, pages crisp and unmarked, stiff binding; a very clean, tight copy.
Softcover. New York, Hirschl & Adler Modern, 1st, 1987, Book: Very Good, Dust Jacket: None, Exhibition catalog. Stiff beige textured covers, perfect binding, 13 full page color plates to laminate papers, biographical notes on three featured artists. Slight rubbing to covers; else a very clean, tight copy in great condition.
Softcover. New York, William Beadleston, 1st, 1985, Book: Very Good, Dust Jacket: Good, 82 pages. Softcover with clear plastic dust cover. Published on the occasion of the exhibition held from October 31-December 14, 1985. Color illustrations throughout. Dust cover slightly yellowed with age and cracked on back (repaired with clear tape). Very clean inside and out.
Hardcover. New York, Simon & Schuster, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 416 pages. Hardcover. Illustrated with black & white photographs, one full color section. Dust jacket with light wear along edges. Clean, tight copy.
Softcover. Katonah, Katonah Museum of Art, 1st, 1990, Book: Very Good, Dust Jacket: None, 28 pages. Softcover. Illustrated in full color and black & white. Light wear to covers. Clean, unmarked pages.
Softcover. New Haven, William Kent, 1st, 1956, Book: Very Good, Dust Jacket: None, Non-Paginated. Limited Edition of 100. Black & white illustrations. Tan paper covers with red cloth tie attached at stapled spine. Short closed tears along bottom edges of cover. Text and illustrations clean and unmarked.
Softcover. Bronxville, NY, Sarah Lawrence Gallery, 1st, 1975, Book: Good, Dust Jacket: None, Unpaginated, paperback. Square slim octavo. Issued on the occasion of the exhibition "Word Image Number" held at the Sarah Lawrence Gallery in 1975. Tanning to spine and fore edge. Slight stain to top edge. Fading to front and rear endpapers. Previous owner's inscription to dust jacket front flap. Illustrated with b&w photos throughout. Scarce. A tight copy.
 "Watercolors from the Abstract Expressionist Era - April 1 Through June 3, 1990 - The Katonah Museum of ArtWechsler (Curator), Jeffrey")