Hardcover. Carnegie Museum of Art, 1st, January 2, 1996, Book: Very Good, Dust Jacket: None, 256 pages, illustrated throughout in color and b&w. Light edgewear to cardboard covers, slight sticker-scar to front cover, else a clean, tight copy.
Hardcover. London, Elm Tree Books, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover. Black & white illustrations. Dust jacket with light wear. Clean, tight copy.
Hardcover. New York, Rizzoli, 1st, 2000, Book: Good, Dust Jacket: None, 167 pages. Hardcover. Illustrated with black & white photographs. Previous owners name at top left corner of page opposite half title. Faint damp smell. Light rubbing to covers. Clean, tight copy.
Softcover. New York, Metropolitan Museum of Art, 1st, 1955, Book: Very Good, Dust Jacket: None, 211 pages, illustrated throughout in b&w. Blue stiff wrappers with small stains to covers and light wear, otherwise a very nice, tight copy.
Softcover. Cambridge, Ma, Harvard University Press, 1st, 1936, Book: Very Good, Dust Jacket: None, 158 pages, illustrated throughout in b&w. Tan stiff wrappers. Front cover and spine slightly sunned, light wear to edges and spine, previous owner's inscription on front fly leaf. Overall a very nice, tight, clean copy.
Hardcover. Charlottesville, VA, University Press of Virginia, 2nd, 1977, Book: Good, Dust Jacket: None, 211 pages, numerous b&w illustrations and 11 plates in full color. Black cloth with gilt titles to front and spine, no dust jacket. Light wear to edges and spine, back cover slightly sunned, and a few small smudges to front cover. Overall a nice, tight copy
Softcover. New York, Whitney Museum of American Art, 1st, 1974, Book: Good, Dust Jacket: None, 237 pages illustrated throughout in color and b&w. Introduction by John I. H. Baur. Pictorial stiff wrappers. Light wear to edges and slight rubbing to spine. Spine cracked, but binding stays tight. A nice, clean copy.
Softcover. Lawrence, Kansas, Helen Foresman Spencer Museum of Art, The University of Kansas, 1st, 1981, Book: Very Good, Dust Jacket: None, Exhibition catalog. 143 pages, illustrated in b&w. Black stiff wrappers with light wear to edges and spine and light shelf-wear to covers. Overall a very nice, tight, clean copy.
Hardcover. New York, American Academy in Rome, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 387 pages. First directory of Fellows of the American Academy in Rome on the occasion of its centennial. Dust jacket has some marks otherwise very clean.
Hardcover. New York, Columbia University Press, 1st, 1998, Book: Very Good, Dust Jacket: None, 346 pages. Hardcover. Black & white photographs. Clean, tight copy.
Softcover. New York, Phillips, 1st, 1979, Book: Very Good, Dust Jacket: None, Non-Paginated. Softcover. Phillips auction catalog - Sale Number 242 - November 10, 1979. Catalog measures: 9" X 12". Full color and black & white examples of posters for sale at auction. Prices Realized list laid-in. Light wear. Clean, tight copy.
Softcover. Charlottesville, University Press of Virginia, 1st, 1973, Book: Very Good, Dust Jacket: None, 374 pages. Softcover, with minor wear and creasing on edges. Otherwise clean and tight copy.
Softcover. Portland ME, Portland Art Museum, 2002, Book: Very Good, Dust Jacket: None, Exhibition catalogue. 96 pages, 45 illustrations (39 color). Catalogue of 75 works exhibited. Introduction by Earle G. Shuttleworth, Jr.; "'The Real Pioneer of Art in This City': Charles Codman and the Rise of Landscape Painting in Portland, Maine" by Jessica Nicoll; "Diamonds, Rifle Rangers and Rock Slides: Codman's 'Native' Landscapes" by Jessica Skwire Routhier; checklist of 97 known works; bibliographical references.
Softcover. Philadelphia, Schwarz Gallery, 1st, 2007, Book: Very Good, Dust Jacket: None, 30 pages. Softcover exhibition catalog. Illustrated with full color examples of paintings by Charles Lewis Fussell. Light wear to covers. Clean, tight copy.
Hardcover. Charleston, SC, The Charleston Museum, 1st, 1955, Book: Very Good, Dust Jacket: None, 150 pages. Hardcover without dust jacket. Very light normal wear to spine, otherwise clean and tight copy. Small "Library of George Murphy" impressed in upper corner of front end papers.
Hardcover. Rutland, Charles E. Tuttle, 1st US, 1958, Book: Very Good, Dust Jacket: Very Good, 456 pages. Hardcover. Full color frontis. Black & white illustrations. Price clipped dust jacket with short tape repaired tears at edges. Clean, unmarked text.
Softcover. London, Percival David Foundation of Chinese Art/School of Oriental and African Studies/University of London, 1st, 1997, Book: Very Good, Dust Jacket: None, 262 pages. Softcover. Illustrated with black & white photographs and drawings. Light wear. Clean, tight copy.
Softcover. Washington, DC, Corcoran Gallery of Art , 1st, 1961, Book: Very Good, Dust Jacket: None, 251 pages. 166 illustrations in b&w, some color. Blue/gray paper wrappers with gilt titles to front and spine. Light wear to edges and slight rubbing to front cover and lower spine, else a very neat, tight copy.
Hardcover. New York, Watson-Guptill, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. Scratches to dust jacket back. Otherwise very clean, unmarked copy with only minor wear to dust jacket. Black & white and color illustrations throughout. Tight copy.
Hardcover. Lombard, IL, Wallace Homestead Book Company, 1st, 1984, Book: Very Good, Dust Jacket: None, 376 pages. AUTHOR SIGNATURE and NUMBER (047) on front fly leaf. B/W photographs. Spine faded by sun, bottom edges slightly worn otherwise very clean.
Hardcover. London, Phaidon, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 240 pages. Full color and black & white illustrations. Light strip of fading along left edge of front cover - approximately 1/2" wide. Clean, bright copy.
Hardcover. New York, Macmillan Company, 1st, 1947, Book: Very Good, Dust Jacket: None, 360 pages. Hardcover. First edition. Scarce. Color and b/w illustrations throughout. Cover boards bound in red cloth, some chipping at edges. Covers have a touch of agewear. Decorated endpapers. Some light tanning to pages and edges. Binding still quite tight. A old history of newspaper comics.