Hardcover. New York, Viking Penguin, 1st Edition, 1991, Book: Very Good, Dust Jacket: Very Good, 402 pages. Hardcover. Black & white photographs throughout. Dust jacket with only minor wear. Clean, unmarked & tight copy.
Hardcover. U.K., Edinburgh University Press, 1st, 1966, Book: Good, Dust Jacket: Good, 214 pages, hardcover with dust jacket. Previous owner's bookplate on front endpapers. Price-clipped. Heavy rubbing and fading to dust jacket. Light pencil marking to front panel of dust jacket as well. Heavy edgewear to dust jacket top edge. Age toning to top text block edge as well. Unmarked. A tight copy.
Hardcover. New York, Farrar, Straus and Giroux, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, 320 Pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket.
Hardcover. New York, Harcourt Brace & World, 1st, 1966, Book: Very Good, Dust Jacket: Good, 113 pages, mostly b&w photographs of the writer/poet, many by Steichen himself, a lifelong friend. Dust jacket with light edgewear, chipping.
Hardcover. US, Rodopi, 1st, 2011-11-23, Book: Very Good, Dust Jacket: None, 196 pages. Minor wear to illustrated covers with small tear to upper edge of spine. Clean, tight copy.
Softcover. New York, Portents/Gotham Book Mart, Reprint, 1972, Book: Very Good, Dust Jacket: None, 52 pages. Illustrated with black & white photographs of Jack Kerouac, William S. Burroughs, Allen Ginsberg, Gregory Corso, Herbert Hunke, and other characters associated with the Beat movement. Front cover has 2 small stain spots that have also left impression on front endpaper. Small tears (1/4") at top and bottom of spine that do not effect interior of book. Clean, tight copy.
Hardcover. Cambridge, Harvard University Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 188 pages. Hardcover. Degree of fading to front of dust jacket. Light wear. Clean, tight copy.
Hardcover. New York , Leavitt & Allen, reprint, 1856, Book: Very Good, Dust Jacket: None, 189 pages plus index and Critical Observations. Brown embossed cloth covers. Light foxing otherwise sharp-cornered, clean copy.
Softcover. Copper Canyon Press, 1st, 1995, Book: Very Good, Dust Jacket: None, 363 page. INSCRIBED BY AUTHOR on title page. Light edgewear to wrappers, else a clean, tight copy.
Hardcover. US, Counterpoint, 1st, 2008-11-25, Book: Very Good, Dust Jacket: Very Good, 321 pages. Clean, unmarked copy with only minor wear to dust jacket.
Hardcover. New York, John Lane Company, First Edition, 1909, Book: Very Good, Dust Jacket: None, 141 pages. Hardcover. Green cloth covered boards with gilt decoration & gilt titles to cover & spine. Gilt top edge. Deckled bottom & side edges. Previous owner's signature in pencil to prelim page. Frontis illustration, Francis Thompson, in black & white, protected with tissue guard. Light toning throughout. Otherwise very clean & unmarked.
hardcover. New York, Miramax, 2nd printing, 1999, Book: Very Good, Dust Jacket: None, 169 pages. Hardcover with no dust jacket. Adhesive residue on back cover, otherwise clean tight copy with light edgewear to covers.
Hardcover. Athens GA, University of Georgia Press , 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 305 pages, dust jacket with small scar to front panel otherwise very good. "[A] comprehensive study of early New England verse in light of Puritan notions regarding the nature and uses of poetry. Through a new historical reading of three major Puritan poets--Michael Wigglesworth, Anne Bradstreet, and Edward Taylor--Hammond reconstructs this aesthetic framework using Puritan theology and assumptions about the psychology of the saved soul."