hardcover. New Haven, Yale University Press , 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 173 pages illustrated in color, b&w. An catalog for the Russian artist's exhibition which opened in Portugal in 2002 and traveled to Spain. Essays by Kazimir Malevich and Victor Tupitsyn.
Hardcover. Spain, Editorial Blume, 1st US, 1978, Book: Very Good, Dust Jacket: Good, 237 pages, hardcover with dust jacket. Translated by Pablo Shekelton. Photographed by F. Catala Roca. A colorfully illustrated look at traditional and modern Mexican folk art. Moderate soiling and edgewear to dust jacket. Previous owner's signature to front flyleaf. A bright and tight copy.
Hardcover. Secaucus, Wellfleet, Reprint, 1989, Book: Very Good, Dust Jacket: Very Good, Non-Paginated. Illustrated with full color photographs. Clean tight copy.
Hardcover. New York, Holt, Rinehart and Winston, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, 205 pages. Hardcover. Color and b/w illustrations throughout. Cover boards bound in brown cloth, gilt title on spine. Dust jacket unclipped. Some slight tanning to edges and pages, otherwise clean. Binding tight, spine straight. In great condition. The reader is invited to see the varied beauty and special qualities of the art and architecture of the monasteries of England, France, Italy, Spain, Portugal, Germany, Austria, and Eastern Europe by a knowledgeable, urbane, and entertaining guide who has never lost his capacity for wonder.
1899, Book: Very Good, Dust Jacket: None, Horizontal format, 13 x 10.5", bright colors, very good. From a large folio edition of a book on the war with Spain.
1899, Book: Very Good, Dust Jacket: None, Horizontal format, 13 x 10.5", bright colors, very good. From a large folio edition of a book on the war with Spain.
Softcover. Cleveland, Ohio, Salvador Dali Museum, 1st, 1973, Book: Very Good, Dust Jacket: None, Oblong quarto. 112 pp. b/w illustrations and photos. Illustrated wraps. Slightly scuffed and sun stained, otherwise, tight, clean copy. Excellent comparison of two great Spanish artists.
London/NY, Phaidon, 1st, 1953, Book: Very Good, Dust Jacket: Good, 200 pages, 280 illustrations including 9 tipped-in color plates. Catalogue raisonne. Hardcover very good in an edgeworn, chipped dust jacket.
Hardcover. New York, Tudor Publishing Company, 1st US, 1968, Book: Very Good, Dust Jacket: Fair, 257 pages. Full color illustrations. Text in English, French, German. Previous owners name on front endpaper. Light foxing to endpapers. Stamping on top and bottom edge. Dust jacket worn with repaired tears along edges. Clean, tight copy.
Hardcover. New York, Holt, Rinehard and Winston, 1st, 1974, Book: Very Good, Dust Jacket: Good, 273 pages. Hardcover with dust jacket. Some fading and slight tear in top of jacket and sticker residue from old price sticker. Inscription on front end paper, 1981. Translated and Annotated by June Guicharnaud with Jacques Guicharnaud.
Hardcover. New York, Alfred A. Knopf, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, 750 pages. Hardcover. Color and b/w illustrations throughout. Gilt title on spine. Super clean inside and out. In great shape. From the front flap: "...this book moves far beyond the bounds of conventional biography or art history. With extraordinary imaginative sympathy, Schama conjures up the world in which Rembrandt moved--its sounds, smells, and tastes as well as its politics; the influences on him of the wars of the Protestant United Provinces against Spain, of the extreme Calvanism of his native Leiden, of the demands of patrons and the ambitions of contemporaries; the importance of his beloved Saskia and, after her death (Rembrandt was later forced to sell her grave, so complete was his ruin), of his mistress Hendrickje Stoffels...".
Hardcover. Oxford, Clarendon Press, Reprint, 1936, Book: Very Good, Dust Jacket: None, Hardcover. 208 pages text followed by 44 plates in black & white & an additional 21 pages of architectural drawings. Frontis illustration, Santiago Cathedral, Spain 1078-c. 1145 in bw. Foldout maps in bw, tipped in. Light foxing to preliminary pages, endpapers & edges. Green cloth boards with gilt titles to spine. Clean, tight copy.
hardcover. Austin, University of Texas Press, 1st, 1993, Book: Very Good, Dust Jacket: Good, 157 pages. Hardcover with dust jacket. SIGNED AND INSCRIBED BY TRANSLATOR Nina M. Scott on dedication's page. Clean, tight copy with heaving foxing and minor wear to dust jacket.
Softcover. Cleveland, Ohio, Salvador Dali Museum, 1st, 1973, Book: Very Good, Dust Jacket: None, Oblong 4to. Slight shelfwear, minor scuffing to lower edge of spine, otherwise, tight, clean copy. 204 pp. profusely illustrated in b/w. Offers a a "layman's" guide to the complex work of Dali.
Hardcover. England, Penguin Books, 1st, 1966, Book: Very Good, Dust Jacket: Very Good, 262 pages of text, plus 192 of b&w plates. Red cloth covers with small gilt emblem embossed to front cover, gilt titles to spine, black dust jacket and slip case with similar color illustration, color frontispiece, profusely illustrated with b&w plates. Light rubbing to slip case, mild wear to dust jacket edges, small 1" to 2" squares from dust jacket of same book published by Yale University press pasted to both the front inside flap of dust jacket and the copyright page. A very clean, tight copy.
Paperback. Toledo, Toledo Museum of Art, 1st wraps, 1941, Book: Very Good, Dust Jacket: None, Color frontis, black & white plates. 147 pages. Heavy paper covers with gilt lettering. Previous owner's signature on title-page.
Paperback. Washington, DC, National Gallery of Art, 1st wraps, 1984, Book: Very Good, Dust Jacket: None, Edited by Jonathan Brown and Jose Manuel, Pita Andrade. Scholarly articles about the artist in English, Italian and Spanish. 188 pages. Black & white illustrations. Corner bump. Paperback.
Hardcover. Paris, Art Et Industrie, 1st, 1958, Book: Very Good, Dust Jacket: None, 102 pages. Illustrated with black & white photographs and full color tipped-in plates. Clean, tight copy.
Hardcover. Geneva/NY, Skira World, 1st US, 1965, Book: Very Good, Dust Jacket: None, Intro by F.J. Sanchez Canton. 236 w/ tipped-in plates, most color of architecture, paintings, artifacts, etc. Red cloth covers w/ areas faded. Internally VG