Softcover. Philadelphia, PA, Pennsylvania Academy of the Fine Arts, 1973, Book: Near Fine, Dust Jacket: None, Exhibition catalogue containing 7 plates (1 color, 6 black/white) and a black/white photograph of the artist. Text by Sandra Denney Heard. Near fine condition, only slight rubbing/wear on the back cover.
Softcover. Chadds Ford, Pennsylvania, Brandywine River Museum, 1st, 1983, Book: Very Good, Dust Jacket: None, Exhibition catalog. Brown stapled covers with color illustration, preface by James H. Duff, acknowledgments and essay by Gene E. Harris, catalogue of the exhibition, 17 full page b&w plates.
Softcover. New York, William Beadleston, 1st, 1985, Book: Very Good, Dust Jacket: Good, 82 pages. Softcover with clear plastic dust cover. Published on the occasion of the exhibition held from October 31-December 14, 1985. Color illustrations throughout. Dust cover slightly yellowed with age and cracked on back (repaired with clear tape). Very clean inside and out.
Hardcover. London, Artus Books, 2nd printing, 1995, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover, toning to edges. Coffee table sized, full page, full color & b/w illustrations throughout. Brown cloth boards with gilt titles to spine. Dust jacket with minor wear, sun faded. Clean & bright copy.
Hardcover. Washington, University of Washington Press, 1st, 1970, Book: Very Good, Dust Jacket: Good, 100 pages. b&w and color illustrations throughout. Celebrating Mark Tobey's 80th birthday with 80 fine examples of his art. Cream cloth, gilt lettering to spine. Dust jacket with mild edge wear, otherwise in nice condition.
Hardcover. Columbia MO, University of Missouri Press , 1st, 1985, Book: Near Fine, Dust Jacket: Near Fine, 224 pages, Illustrated in color and b&w. Bright, clean copy.
Hardcover. New York, Abbeville Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, 223 pages. Full color and black & white illustrations. Clean, bright copy.
Hardcover. New York, Abrams, 1st, 1965, Book: Very Good, Dust Jacket: Good, 370 pages plus fold-out list of plates. Hardcover. Full color and black & white works by Toulouse-Lautrec. Dust jacket protected with clear plastic cover. Clean, tight copy.
Hardcover. New York, Harry N. Abrams, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, 220 pages. 176 b&w and color plates, fold outs. Biography of Ernst Trova, self-taught painter and contemporary sculpture artist, known especially for his series entitled Falling Man. White cloth, gilt lettering to spine, gilt design on front, Very nice, clean and well preserved copy. Looks as good as new.
Hardcover. Philadelphia, Jewish Publication Society of America, 1st, 1971, Book: Very Good, Dust Jacket: Fair, 76 pages, illustrated with the artist's drawings of Hasidic Jews. Essay by Isaac Bashevis Singer. Dust jacket has half of back panel torn away. Otherwise very good, clean copy.
Softcover. Arkansas, Arkansas Art Center, 1st, 1984, Book: Very Good, Dust Jacket: None, 95 pages. Gray covers with a small b&w illustration and white titles, perfect binding, introduction by author, b&w frontispiece, 82 full page b&w plates, index of catalogue. Light wear to cover edges; otherwise a very clean, tight copy.
Hardcover. New York, Alfred A. Knopf, 2nd printing, 1974, Book: Very Good, Dust Jacket: None, 91 pages. Hardcover. Slipcase with shelf wear, sun fading & small tears to edges. Toning to cover boards. Full page black & white illustrations throughout. Frontis illustration, "Toward the Infinite," in full color. Introductory essay by Alice Raphael. Clean, tight copy.
Softcover. Milwaukee, Wisconsin, Milwaukee Art Museum, 1st, 1985, Book: Very Good, Dust Jacket: None, 24 pages. Stiff white stapled covers with b&w illustration and black titles, introduction by Richard Bowman, 23 b&w plates throughout, checklist. Light wear to covers; a very clean, tight copy.
Softcover. New York , Metropolitan Museum of Art, 1st, 1976, Book: Very Good, Dust Jacket: None, 176 pages, b&w and color illustrations. Related newspaper clippings laid in. Light edge wear to wrappers. Else a very clean, tight copy.
Softcover. New York, NY, Kennedy Galleries, 1st, 1973, Book: Very Good, Dust Jacket: None, Exhibition catalog with green covers, color plate on front; minor rubbing and scratching. Staple wrappers tight, pages clean and crisp. 36 plates, 6 in color, of art objects used as gifts; sculpture, drawing, painting, portfolios all included. Various artists. 16 pages.
Softcover. Trenton, NJ, New Jersey State Museum, 1st, 1975, Book: Very Good, Dust Jacket: None, Exhibition catalog with black and white covers. Minor rubbing and marking, spine shows some wear. Staple wrappers tight. Pages clean and crisp, with 14 b/w plates of artist's work, focusing on new visions of the city landscape. Short introductory essay on artist's style and influences. 16 pages.
Softcover. East Sussex, UK, Beacon Press, 1st, 1999, Book: Very Good, Dust Jacket: None, 166 pages, softcover with French wraps. Monograph of Van Dyke at the Wallace Collection. Various color photos, drawings, and engravings. Slight curl to binding. Light rubbing, shelf wear to rear wraps. Unmarked.
Hardcover. Monaco, Les Documents d'Art, 1st Edition, 1949, Book: Very Good, Dust Jacket: None, 121 pages. Hardcover. Red cloth boards with black printed letters to cover & spine, sunfaded. 96 plates, most in b/w. Many full color plates tipped-in. Light toning to page edges, and light crack to page 16. Clean, unmarked copy.
Softcover. Germany, Photographies Auguste, reprint, 1992, Book: Very Good, Dust Jacket: None, Red covers with white titles and color illustration, b&w frontispiece of drawing of Vezelay Abbey dated 1810, 145 b&w plates, 7 full color photographic plates, full page b&w map. Mild rubbing to covers, slight wear to corners and edges; overall a very clean, tight copy.
Hardcover. Philadelphia, David McKay Co, 1st, 1929, Dust Jacket: None, 231 pages, illustrated by Arthur Rackham with 12 color plates, multiple b&w plates and drawings, illustrated endpapers, blue cloth cover, gilt lettering and pictorial to front cover and spine. Light wear to cover, previous owner's signature to front endpaper; otherwise a tight, clean copy.