Hardcover. New York, Artisan, First Edition, 2001, Book: Very Good, Dust Jacket: None, 118 pages. Softcover with french flaps SIGNED BY AUTHOR to title page. Toning to cover edges. Full page, full color & black & white photographs by Peter Mauss. Coffee-table sized. Clean, unmarked copy.
Hardcover. Houston, TX, Anchorage Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, 176 pages. Hardcover. Color and b/w illustrations throughout. Dust jacket unclipped and excellent. Prior bookstore price tag on dust jacket front flap. Binding tight. A touch of light foxing to edges, otherwise clean inside and out.
Hardcover. Boston, MA, J. Jonathan Joseph, 1st, 1981, Book: Near Fine, Dust Jacket: Very Good, 110 pages. 24 duotone illustrations and 16 plates in full color. NUMBER 185 OF A LIMITED EDITION OF 750 COPIES! Includes frontispiece photo portrait of the artist and one of her essays entitled; "Why I Paint Flowers". Beautifully illustrating many of Peterson's "flower-portraits", as well as the prolific painting of her earlier years, representing an exiting artistic progression of a willfully independent and uniquely American artist's emerging style. Dark blue cloth, gilt lettering to spine and front cover. Pictorial dust jacket with protective mylar cover and a small tear to front cover. A very nice, clean and tight copy.
Paperback. New York, NY, National Academy of Design, 1st, 1985?, Book: Very Good, Dust Jacket: None, Exhibition catalog. 95 pages. B&W and color illustrations throughout. Red pictorial cover with slight wear to spine and soiling to covers. Overall, a clean, tight copy.
Softcover. Providence, Rhode Island, Museum of Art, Rhode Island School of Design, 1st, 1969, Book: Very Good, Dust Jacket: None, Exhibition catalog. Blue covers, perfect binding, essay by Daniel Robbins, chronology, 3 color and 19 b&w full-page plates, checklist of exhibition, biographical notes. Light rubbing to covers; a very clean, tight copy.
Hardcover. New York, Watson-Guptill Publications, 1st, 1979, Book: Very Good, Dust Jacket: Good, 88 pages. 33 full page color plates. The first full-scale, illustrated study of John Twachtman's life and work, taking the artist's "dramatic transformation from dark to light" to the surface. Pictorial dust jacket with minor edgewear. Brown cloth. A very nice, clean and crisp copy.
Softcover. Tokyo, Shinchosha, 1st, 1956, Book: Very Good, Dust Jacket: Very Good, Approximately 150 pages of b&w photos, some color (several tipped-in). Stiff paper covers with a matching dust jacket, light edgewear. Clean.
Softcover. US, University of Kentucky Art Museum, na, 1981, Book: Good, Dust Jacket: None, 151 page catalog of the January 25-March 15, 1981, exhibition at the University of Kentucky Art Museum. Numerous black and white illustrations. Five color plates. Crease on front and back cover. Rear interior pages exhibit crease as well but are clean overall.
Hardcover. San Francisco, CA, Chronicle Books, 1st, 1997, Book: Near Fine, Dust Jacket: Very Good, 298 pages. Dark blue cloth covers, embossed titles to spine, dark blue dust jacket with photographic illustration, profusely illustrated with gorgeous color photographs. Light rubbing to dust jacket, small nick to dust jacket at mid-spine, pages crisp and unmarked, clean boards; a beautiful book in great condition.
Softcover. Ithaca, New York, Herbert F. Johnson Museum of Art, Cornell University, 1st, 1978, Book: Very Good, Dust Jacket: None, Exhibition catalog. White stapled wrappers with color illustration to front, foreword by Thomas W. Leavitt, essay by Nancy Neuman Press, profusely illustrated with b&w plates. Very light rubbing to wrappers, pages crisp and unmarked; a very clean, tight catalog.
Hardcover. US, Yale University Press, 1st, 1985-09-10, Book: Good, Dust Jacket: Good, 400 pages, illustrations in color and b&w. Light edgewear and rubbing to dust jacket with slight tape-repair to lower edge of spine. Binding is a little shaken.
Softcover. Boston, New York Graphic Society/Little, Brown & Company, Second Printing, 1985, Book: Very Good, Dust Jacket: Good, 167 pages. Softcover. Full color illustrations. Light wear, degree of darkening along cover edges. Clean, tight copy.
Hardcover. New York, Spanierman Gallery, 1st, 2005, Book: Very Good, Dust Jacket: None, 108 pages. Hardcover no dust jacket. Vibrant glossy pictorial boards. Clean, unmarked copy with only minor wear to corners.
Softcover. Paris, Galerie Enrico Navarra, First Edition, 2006, Book: Very Good, Dust Jacket: None, 238 pages. Softcover catalogue printed in French & English. Coffee table sized. Full page, full color illustrations throughout. Images beautifully presented to accompany text.Bright, clean copy.
Softcover. Boston, Museum of Fine Arts, 1st, 1999, Book: Very Good, Dust Jacket: None, 197 pages, color illustrations throughout. Minor corner and edge wear, otherwise, spotless and tight copy.
Softcover. New York, NY, Whitney Museum of American Art, 1st, 1979, Book: Very Good, Dust Jacket: None, Exhibition catalog with white covers and color plate on the front. Stains and some markings on covers. Staple binding shows some wear but is still tight. Pages are crisp and include 2 stapled in color postcards of artist's work. Introduction and chronology give much information on artist. 24 b/w plates, many of scenes from New York. Half page explanations of selected works, and 15 item listing of the works in the permanent collection. 32 pages.
Softcover. New York, NY, Whitney Museum of American Art, 1st, 1979, Book: Very Good, Dust Jacket: None, Exhibition catalog with white covers and color plate on the front. Rubbing and some foxing on covers. Staple binding tight. Pages are clean and crisp. Introduction and chronology give much information on artist. 24 b/w plates, many of scenes from New York. Half page explanations of selected works, and 15 item listing of the works in the permanent collection. 32 pages.
Paperback. New York, Metropolitan Museum of Art , 1st wraps , 1976, Book: Very Good, Dust Jacket: None , 192 pages. An issue devoted to Wyeth along with his drawings and watercolors, text from conversations with Thomas Hoving. Color, B&W illustrations.
Softcover. Englewood Cliffs, Prentice-Hall, Inc., 2nd printing, 1987, Book: Very Good, Dust Jacket: None, 431 pages. Softcover. Tight copy. Profusely illustrated with black & white photographs & architectural illustrations. One interior section includes full page, full color photographs. Clean, bright copy.
Hardcover. Bulfinch Pr, 1st US, 1989, Book: Very Good, Dust Jacket: Very Good, 328 pages, illustrated throughout with 235 plates in full color. Faint foxing to top edge, else a clean, unmarked copy with only minor wear to dust jacket.
Softcover. Newark, NJ, The Newark Museum, Vol. 1, N. 1, 1949, Book: Very Good, Dust Jacket: None, First text in a series for the Newark Museum; b/w cover, plate on front, minor rubbing and sunning. Staple wrappers, some creases. 6 b/w plates of portraits and a landscape painting. Text on three specific portrait paintings. 16 pages. Tight, clean copy.
Softcover. Salem, MA, Peabody Museum, 1st, 1970, Book: Very Good, Dust Jacket: None, Exhibition catalog with yellow and blue covers; minor rubbing. Paper wrappers tight, pages clean and crisp. 33 b/w plates of American painting and sculpture portraying New England culture and landscape. 87 items listed. Short introduction on the collection and the collectors.
 "Landscape of Belief, TheDavis, John")