Hardcover. Meadville, Chautauqua Century Press, 1st, 1892, Book: Very Good, Dust Jacket: None, 145 pages. Red cloth boards. Illustrated in black & white. Previous owners signature on front endpaper.
Hardcover. New York , Harry N. Abrams, 1st, 1967, Book: Very Good, Dust Jacket: Good, 600 pages, illustrated throughout in color and b&w. Blue cloth, gilt lettering to spine. Dust jacket worn, soiled, chipped with chunk missing from top edge of spine. Faint foxing to top edge. Internally a very neat, tight, clean copy.
Hardcover. Syracuse, NY, Syracuse University Press, 1st, 1983, Book: Near Fine, Dust Jacket: Near Fine, 186 pages. 116 b&w illustrations throughout. "The first serious study of totality of Strickley's accomplishments, especially his architecture". Black cloth, gilt lettering to spine. Book in Near fine condition. Looks brand new.
Softcover. Middlebury, Middlebury College Museum of Art, 1st, 1993, Book: Near Fine, Dust Jacket: None, 75 pages. Color and B&W photography. Spiral bound. Still in original plastic wrap.
Softcover. Middlebury VT, Middlebury College Museum of Art, 1st, 1993, Book: Near Fine, Dust Jacket: None, 75 pages. Color and B&W photography. Spiral bound. Still in original plastic wrap.
Softcover. Middlebury, Middlebury College Museum of Art, 1st, 1993, Book: Near Fine, Dust Jacket: None, 75 pages. Color and B&W photography. Spiral bound. Still in original plastic wrap.
Softcover. Middlebury, Middlebury College Museum of Art, 1st, 1993, Book: Near Fine, Dust Jacket: None, 75 pages. Color and B&W photography. Spiral bound. Still in original plastic wrap.
Softcover. Middlebury, Middlebury College Museum of Art, 1st, 1993, Book: Near Fine, Dust Jacket: None, 75 pages. Color and B&W photography. Spiral bound. Very nice, clean copy.
Softcover. Middlebury, Middlebury College Museum of Art, 1st, 1993, Book: Near Fine, Dust Jacket: None, 75 pages. Color and B&W photography. Spiral bound. Still in original plastic wrap.
Softcover. Middlebury, Middlebury College Museum of Art, 1st, 1993, Book: Near Fine, Dust Jacket: None, 75 pages. Color and B&W photography. Spiral bound. Still in original plastic wrap.
Hardcover. Paris, Librairie de Fermin Didot Freres, reprint, 1870, Book: Fair, Seven volumes, covers and spines on most are fair to poor, but the bindings are all sound and holding, complete with all the fabulous plates (over 750), illustrating the art and architecture of ancient Pompei. Vol I: Peintures, Premiere Serie: Decoration Architecturales, [xxiii] 134 pp. 108 pl.; Vol. II: Peintures, Deuxieme Serie: Compositions de Plusieurs Figures, 263 pp. 90 pl; Vol. III: Peintures, Deuxieme et Cinquieme Series: Tableaux, Paysages, 104 pp. 59 pl + 49 pp. 55 pl; Peintures, Troisieme Serie: Figures Isolees, 230 pp. 122 pl; Vol. V: Peintures, Quatrieme et Sixieme Series, 111pp. 60 pl + 45 pp. 32 pl; Volume VI: Bronzes, Premiere Serie: Statues, 213 pp. 110 pl; Vol. VII: Bronzes, Deuxieme et Troisieme Series: Bustes, Lampes, 69 pp. 22 pl. + 230 pp. 100 pl. Many of the plates are signed Ade (Adolphe) Bouchet, most are by Henri Roux ain
Hardcover. Paris, France, Flammarion, First Thus, 2004, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover with Illustrated boards & black titles to spine. Profusely illustrated in full color throughout. Dust jacket with only light marginal wear. Tight binding, sharp corners, clean & unmarked pages throughout.
Paperback. New York, The Museum of African Art, 1st, 1993, Book: Very Good, Dust Jacket: None, 91 pages, paperback with French flaps. Museum retrospective of two important African sculptors. Mild rubbing and edgewear to wraps. Unmarked. Color photographs throughout. A clean and tight copy.
Hardcover. NY, Macmillan, 1st, 1926, Book: Very Good, Dust Jacket: None, Ex-library with minor markings to end papers. Many black & white plates, 342 pgs. spine with tear at top edge otherwise a sound, internally clean copy.
Hardcover. Barcelona, Links International, First Edition, 1997, Book: Very Good, Dust Jacket: None, 238 pages. Hardcover with slipcase in English & Spanish text. Full page, full color illustrations & architectural drawings throughout. Bright covers & slip case. Tear to front edge of spine. Slip case in very good condition. Clean, bright copy.
Softcover. Washington, D.C., Smithsonian Institution, 1st, 1990, Book: Very Good, Dust Jacket: None, 176 pages. Color illustrated covers with black titles, dozens of essays by various authors, profusely illustrated with b&w plates. Light rubbing to covers; a clean, tight copy.
Paperback. Cold Spring, NY, Salmagundi Press, 1st wraps, 1989, Book: Very Good, Dust Jacket: None, 50 black & white drawings of historic buildings along the Hudson River.
Hardcover. Gloucester, Rockport Publications, Inc., 1st Edition, 1998, Book: Very Good, Dust Jacket: Very Good, 192 pages. Hardcover. Bright dust jacket with wear to edges. Front cover image by Lourdes Legorreta. Back cover images by Moore Ruble Yudell, Paul Ferrino, & Bill Timmerman. Full color, full page photographs throughout. Clean, unmarked copy.
Hardcover. New York, Museum of Modern Art, 1st, 1946, Book: Good, Dust Jacket: None, 96 pages, illustrated throughout in b&w. Corner and edge wear, minor water damage on bottom half throughout, otherwise, clean and tight copy.
Softcover. Milano, 1st, 1975, Book: Very Good, Dust Jacket: Good, 498 pages. Softcover. B/w illustrations throughout. Dust jacket unclipped. Some age yellowing to dust jacket and text pages. Illustration pages still bright white. Covers/spine show a touch of foxing. In very good condition.
Hardcover. Philadelphia, PA, J. B. Lippincott Company, 1st, 1964, Book: Very Good, Dust Jacket: Good, Unpaginated. 16 full color reproductions of family members in Colonial costumes. Intact and very clean.
Hardcover. Oxford, Phaidon, 1st, 1979, Book: Near Fine, Dust Jacket: Near Fine, Hardcover in near fine condition with dust jacket worn a bit by age, but also in near fine condition. 80 pp., 30 color plates, 42 B/W plates, select bibliography. Trompe-L'Oeil is the art by which the spectator is deceived into thinking that what he sees is real and not painted. This form of art requires mastery of the laws of geometry and perspective, and certain technical development.