Hardcover. London, England, Tavistock Publications, 1st Edition, 1972, Book: Very Good, Dust Jacket: Good, 296 pages. Hardcover. B/w illustrations throughout. Black cloth cover boards (light abrasion to top of front cover board), gilt title on spine. Dust jacket unclipped, has a couple of small tears along the top (see image). Pages clean. Top edge dyed, some sight tanning. This book is inspired by the work of Audrey Richards CBE whose writing on ritual contains many of the insights that have been developed in later studies.
Hardcover. Princeton, Princeton, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, 316 pages. Minor underlining in pencil on some pages. Clean, tight copy.
Hardcover. San Francisco, Chronicle Books, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, 179 pages. Light wear to edges of cover and dust jacket. Edited with an essay by Miles Barth. Introduction by Dorothy Norman. Preface by Edward Abrahams.
Hardcover. New York , Macmillan, 1st, 1960, Book: Very Good, Dust Jacket: Good, 304 pages, paper is yellowing. Dust jacket with light edgewear, chipping.
Hardcover. Cambridge MA, MIT Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, 199 pages, illustrated in color and b&w. Study on the influence of digital media on the new art with 4 essays by various scholars.
Hardcover. US, University of Tennessee Press, 1st, 1985-08-01, Book: Very Good, Dust Jacket: Good, 183 pages, b&w photos. Heavy sun-fade to dust jacket spine, else a clean, tight copy.
Softcover. Washington , Smithsonian Institution, 1st, 1950, Book: Very Good, Dust Jacket: None, Volume 1, Number 4, of the Freer Gallery of Art Occasional Papers. Red wrappers, frontispiece, 28 b&w plates. A clean, tight copy.
Hardcover. Boston , G. K. Hall and Company, reprint, 1980, Book: Good, Dust Jacket: None, Boston , G. K. Hall and Company, reprint, 1980, Book: Good, Dust jacket: None, 313 pages. Hardcover without dust jacket. Burgundy boards. Gilt titles on spine. Light soiling to fore edge, otherwise clean, tight copy. . Record # 467258
Hardcover. Boston, MA, J. Jonathan Joseph, 1st, 1981, Book: Near Fine, Dust Jacket: Very Good, 110 pages. 24 duotone illustrations and 16 plates in full color. NUMBER 185 OF A LIMITED EDITION OF 750 COPIES! Includes frontispiece photo portrait of the artist and one of her essays entitled; "Why I Paint Flowers". Beautifully illustrating many of Peterson's "flower-portraits", as well as the prolific painting of her earlier years, representing an exiting artistic progression of a willfully independent and uniquely American artist's emerging style. Dark blue cloth, gilt lettering to spine and front cover. Pictorial dust jacket with protective mylar cover and a small tear to front cover. A very nice, clean and tight copy.
Softcover. Montreal, Musee D'Art Contemprain de Montreal, 1st, 1999, Book: Very Good, Dust Jacket: None, 101 pages. Softcover. Exhibition catalog. Features full color photographs by Jeff Wall. Essays by Real Lussier and Nicole Gingras. Darkening to cover edges. Clean, unmarked copy.
softcover. New York, Abbeville Press Publishers , 1st, na, Book: Very Good, Dust Jacket: None, Exhibition catalog of Jennifer Bartlett's drawings and paintings at the Walker Art Center in Minneapolis. 168 pages; mostly color plates; some black & white photographs. Cover in color. Foreword by Martin Friedman, director; essays by Calvin Tomkins, Marge Goldwater, and Roberta Smith. In very good condition.
London, Neville Spearman, 1st, 1961, Book: Very Good, Dust Jacket: Very Good, 159 pages, b&w photos. Nice dust jacket. Printed In Great Britain stamp on front fly leaf.
Softcover. Essex, UK, Pearson Education Ltd., First US, 2002, Book: Very Good, Dust Jacket: None, Softcover. 129 pages. Black & white illustrations throughout. Clean inside and out. Light minor wear to edges.
Hardcover. Cleveland, Press of Western Reserve University, 1st, 1966, Book: Very Good, Dust Jacket: Fair, 286 pages, with a foreword by John S. Diekhoff. Dust jacket edge wear and chip, otherwise, very clean and bright copy.
 "Inquiry and EssaysReid, Thomas")