Softcover. Austin, TX, University of Texas Press, 1st, 1986, Book: Near Fine, Dust Jacket: None, 319 pages. Essays on film by Aumont, Bergala, Marie and Vernet. Translated and Revised by Richard Nugent. Very clean.
Hardcover. New York, The Continuum Publishing Company, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, 240 pages, hardcover with dust jacket. Film criticism on how English language films dealing with Africa have a mixed legacy of reinforcing racism. Light rubbing and edgewear to dust jacket. Minor smudging to text block edges. Unmarked. A tight copy.
Hardcover. NY, McDowell Obolensky, 1st, 1958/1960, Book: Very Good, Dust Jacket: Good, Vol I: with black & white photos, drawings by Tomi Ungerer. Vol II: Contains his script of The African Queen. Light soil, edgewear to dust jackets.
Softcover. Cambridge, MA, MIT Press, 1st, 1988, Book: Good, Dust Jacket: None, 218 pages plus ads. Softcover. B/w illustrations throughout. Covers age-yellowed with a bit of soil. Quarterly publication.
Softcover. Cambridge, UK, Cambridge University Press, 1st paperback, 2000, Book: Very Good, Dust Jacket: None, 211 pages. Softcover. B/w illustrations throughout. Wrapper very good. Binding tight. Some light (erasable) penciling throughout and previous owner's name on front flyleaf, otherwise clean and bright inside. In great shape. "...includes freshly commissioned essays by leading scholars of Arthur Penn's work, as well as contributions from Penn himself and scriptwriter David Newman. "
Softcover. London, Palgrave Macmillan, reprint, 2012, Book: Very Good, Dust Jacket: None, 112 pages, softcover. Critical assessment of the science fiction classic. Rubbing and edgewear to wraps. Bumping to corners. Unmarked. Color photographs throughout. A clean copy.
Hardcover. New York, Columbia University Press, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, 235 pages. Illustrated with 8 pages of black & white film stills. Clean, tight copy.
Paperback. Rochester NY, Visual Studies Workshop Press, 1st, 1983, Book: Very Good, Dust Jacket: None, 199 pages, paperback. Fictions and the fictions of theory from acclaimed theorist of film. With a foreword by Annette Michelson. Mild rubbing and edgewear to wraps. Light bumping to spine. Previous owner's signature to front endpapers. Scarce. A clean and tight copy.
Hardcover. New York, HarperCollins, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 439 pages. Hardcover with dust jacket. Black and white photographs. Clean, unmarked copy with minor wear and fading to dust jacket. Cloth covers with gilt lettering on front and spine.
Softcover. Cambridge, UK, Cambridge University Press, 1st paperback, 2002, Book: Very Good, Dust Jacket: None, 383 pages. Softcover. B/w illustrations throughout. Binding tight. Light (erasable) penciling throughout. Wrapper very good. Previous owner's name on front flyleaf. Very good copy, in great shape. "Focusing on ten films...Leitch traces the transformation of the three leading figures that are common to all crime films: the criminal, the victim, and the avenger."
Softcover. Durham NC, Duke University Press, 1st, 2007, Book: Very Good, Dust Jacket: None, 420 pages, paperback. An anthology that presents serious historical and theoretical work on Dietrich's star image and career. Mild rubbing and edgewear to wraps. Slight bumping to corners. Bright and clean; a tight copy.
Softcover. New York, Experimental Cinema, 1st, 1934, Book: Very Good, Dust Jacket: None, 64 pages. Softcover magazine. Illustrated with black & white photographs. Feature articles include: "Synopsis for "Que Viva Mexico!" By S. M. Eisenstein and V. G. Alexandroff, "My Method" By A. Dovzhenko, "The Kingdom of Cinema" By Rene Clair, "Experimental Cinema in America, and more.Light wear, Clean, unmarked copy.
Hardcover. New York, The Library of America, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 824 pages, hardcover with dust jacket. Definitive collection of work by one of America's greatest film critics. Mild rubbing to dust jacket. Glue residue on title page. Unmarked. Bright and clean. A tight copy.
Softcover. New York, NY, Proscenium Publishers Inc. , 1st, 2001, Book: Very Good, Dust Jacket: None, 424 pages. Previous owner's signature on half title page. Light marginal sunfade to spine. Black and white photographs throughout. Minimal creasing on spine, crack to page 230. Otherwise clean and unmarked.
Softcover. London, England, Verso, 1st paperback edition, 1999, Book: Very Good, Dust Jacket: None, 314 pages. Softcover. INSCRIBED BY AUTHOR. Wrapper very good. A touch of shelf wear about the edges, pages clean, binding tight. Porton offers an authoritative, alternative account of films featuring anarchist characters and motifs.
Softcover. Berkeley CA, University of California Press, 1st, 1960, Book: Good, Dust Jacket: None, 64 pages, b&w illustrations. Articles on Leni Riefenstahl, Japanese films, Soviet film criticism. Film reviews of Sons and Lovers, Psycho, Jazz on a Summer's Day, And Quiet Flows the Don, others. Previous owner
Softcover. Berkeley, University of California Press, 1st, 1968, Book: Good, Dust Jacket: None, 64 pages. Softcover. Features: The Danger Is Seduction: An Interview with Haskell Wexler, Masquage: The Multi-Image Film, Fellini's Voices, One Man's Truth...Another Man's Poison, Film Reviews, and more. Library stamps on covers. Clean, tight copy.
Softcover. Berkeley, University of California Press, 1st, 1969, Book: Very Good, Dust Jacket: None, 64 pages plus ads. Softcover. Features: End of the Road?, Prospects of the Ethnographic Film, Wajda Redivivus, Comparative Anatomy of Folk-Myth Film: Robin Hood and Antonio das Mortes, Film Reviews, and more. Clean, tight copy.
Hardcover. Los Angeles, General Pub Group, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and black and white pictures throughout.
Hardcover. New York, McGraw-Hill, 1st Thus, 1971, Book: Very Good, Dust Jacket: Good, 285 pages. Hardcover. Illustrated with black & white photographs. Dust jacket with darkening, chipping along edges. Clean, tight copy.
Softcover. New York, Oxford University Press, 1st, 1999, Book: Very Good, Dust Jacket: None, 192 pages. Softcover. B/w illustrations throughout. Wrapper excellent. Clean inside and out, binding tight. In great shape. "This book speaks to how "Alfred Hitchcock's American films are not only among the most admired works in world cinema, they also offer some of our most acute response to the changing shape of American society in the 1940s, 50s, and 60s."
Softcover. New York, Avon Books, 1st Edition, 1999, Book: Very Good, Dust Jacket: Very Good, 567 pages. Hardcover. B/w illustrations throughout. Dust jacket unclipped, excellent. Orange cover boards, black quarter cloth, gilt title on spine. . Spine slightly cocked. Binding tight. Pages and edges clean. In very good condition, looks nearly new. Actual production notes from Hitchcock's masterpieces join detailed interviews with key production personnel, including writers, actors and actresses, and his personal assistant of more than thirty years.
 "Circles of Confusion: Film-Photography-Video: Texts 1968-1980Frampton, Hollis")
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