Hardcover. New York , Harry N. Abrams, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, 373 pages, 345 illustrations including 154 in color (many tipped-in). A huge square folio covering the artist's work in all mediums. Dust jacket with light fading along spine, 1" closed tear at top still very good.
Softcover. US, Museum of Modern Art, 1st, 1987-06-01, Book: Very Good, Dust Jacket: None, 282 pages. Light shelf-wear to wrappers. Faint foxing to edges and end papers. Clean, tight copy.
Softcover. New York, Museum of Modern Art, 1st, 1987, Book: Very Good, Dust Jacket: None, 282 pages. Published to accompany exhibition. Color and b/w illustrations and photographs throughout. Clean inside
Hardcover. New York, George Braziller, 1968, Book: Fair, Dust Jacket: Good, 402 pages. B/W photographs. Ink underlining on some pages.Dust jacket curled on edges.
Hardcover. New York, Icon, 1st, 1988, Book: Good, Dust Jacket: Good, 258 pages, b&w photos. Light edgewear and rubbing to dust jacket with small scratches to front cover. Sticker-scar on front end paper, else a clean, tight copy.
Hardcover. New York, Rizzoli, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, 303 pages. Beautifull b&w and color plates throughout. The modern artist through the eyes of the photographer. Fantastic pictures capturing some of the greatest of our time. Black cloth. Folio. Dust jacket with minimal edgewear, very nice copy with tight binding.
Softcover. Milano, Galleria Schwarz, 1st, 1962, Book: Very Good, Dust Jacket: None, Exhibition catalog, printed in Italian. White stapled wrappers, red and black illustration to front cover, 11 b&w plates, essay by Roland Penrose. Very slight rubbing to wrappers, pages crisp and unmarked; a very clean, tight catalog.
Softcover. New York, Pace Gallery Publications, 1st, 1984, Book: Very Good, Dust Jacket: None, Exhibition catalog. Front cover completely illustrated with color photographic portrait of artist, perfect binding, 12 pages of b&w plates of artist's notes, 6 large full-page color plates of paintings, dozens of b&w plates of drawings. Very light rubbing to covers; a beautiful catalog in excellent condition.
Softcover. New York, Assouline, 1st, 2003, Book: Very Good, Dust Jacket: None, 296 pages, profusely illustrated in color. Large softcover bound in clear acrylic covers with metal clasps.
Softcover. New York, Hirsch/& Adler Galleries , 1st wrap, 1987, Book: Very Good, Dust Jacket: None, Exhibition catalog. Color, B&W reproductions. Preface by William S. Lieberman. Paperback Edition.
Hardcover. New York, Museum of Modern Art, 1st, 1952, Book: Very Good, Dust Jacket: None, 128 pages. Hardcover without dust jacket. Some fading to spine and to edges of covers. Spine slightly cocked. Foxing and fading inside front end papers.
Softcover. Cambridge MA, Harvard Business School, 1st, 2006, Book: Very Good, Dust Jacket: None, 204 pages, b&w illustrations. Articles on Milan as a Fashion Center, Danish Modern Furniture Design, DuPont's Marketing of Fashion and Fabrics.
Softcover. Cambridge MA, Harvard Business School, 1st, 2006, Book: Very Good, Dust Jacket: None, 204 pages, b&w illustrations. Articles on Milan as a Fashion Center, Danish Modern Furniture Design, DuPont's Marketing of Fashion and Fabrics.
Softcover. Cambridge MA, Harvard Business School, 1st, 2006, Book: Very Good, Dust Jacket: None, 204 pages, b&w illustrations. Articles on Milan as a Fashion Center, Danish Modern Furniture Design, DuPont's Marketing of Fashion and Fabrics.
Hardcover. San Francisco, Chronicle Books, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, 143 pages, illustrated throughout in color. Photographs of artists by Jim MuHugh. In a bright, unclipped dust jacket.
Softcover. New York, Museum of Modern Art, 1st, 1990, Book: Good, Dust Jacket: None, 84 pages. Softcover. Extensive b&w and color photography throughout. Some fading to covers, otherwise clean, tight copy.
Hardcover. Basel, 1st English, January 1997, Book: Very Good, Dust Jacket: Very Good, 490 pages, b&w and color illustrations throughout. Light edge wear to dust jacket; previous price sticker on rear. Previous owner's inscription on title page. Else a very clean, tight copy.
Hardcover. New York, Scribner, Welford Armstrong , 1st US?, 1878, Book: Very Good, Dust Jacket: None, 531, 569 pages. Green cloth, spine label with gilt lettering. Foxing to end papers of both volumes. Half title page in volume 2 torn in half. Black & white illustrations throughout both. Top edge gilt. Spines cracked.
Hardcover. 1st, 1974, Book: Very Good, Dust Jacket: Good, Unpaginated, essay plus 76 color plates. Rubbing, light edge wear to dust jacket. Light foxing to top edge.
Hardcover. Ann Arbor, MI, UMI Research Press, 1st, 1983, Book: Near Fine, Dust Jacket: None, 310 pages. UMI Research Press Studies in the Fine Arts: Criticism. Light gray leatherette, Black lettering to spine. No dust jacket as issued. Looks brand new.
Softcover. New York, The Museum of Modern Art, 1st, 1973, Book: Very Good, Dust Jacket: None, 56 pages. Softcover with slight edgewear. Small stains on front and back wrappers, otherwise clean, tight copy. Color and black & white images throughout.
Softcover. New York, Hirschl & Adler Modern, 1st, 1984, Book: Very Good, Dust Jacket: None, 21 pages of color plates. Color illustrated wrappers. Includes chronology of Garabedian's life and select bibliography.
Softcover. Woodside, CA, Runnymede Sculpture Farm, 1st, 1993, Book: Very Good, Dust Jacket: None, Unpaginated, staple-bound pamphlet. Black-and-white illustrations throughout. Light soiling and shelf-wear to covers. A little edge-wear to rear cover. Nice, unmarked copy.
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