Hardcover. Seattle, University of Washington Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 269 pages. Hardcover with dust jacket. Some fading on spine of jacket and slight foxing on top of text block, otherwise tight and clean copy.
Softcover. Lubbock, TX, Texas Tech University Press, Reprint, 2006, Book: Very Good, Dust Jacket: None, 422 pages. Softcover. A very clean, unmarked copy with only minor wear to wrapper edges. SIGNED AND INSCRIBED VICKI L. BERGER ON TITLE PAGE.
Softcover. US, C&T Publishing, 1st, 2012-07-16, Book: Very Good, Dust Jacket: None, 128 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to wrappers.
Hardcover. Worcester, MA, Davis Publications, Inc., 1st, 1982, Book: Very Good, Dust Jacket: Very Good, 120 pages. Introductory reference book to quilting. White covers, color illustrated endpapers, 210 illustrations with 17 in full color. A clean, tight copy.
Hardcover. US, Weatherhill, 1st, 1986-09-01, Book: Very Good, Dust Jacket: Very Good, 151 pages, illustrated throughout in color and b&w. Previous owner's signature on front end paper. Light shelf-wear to dust jacket, else a clean, tight copy.
Hardcover. New Haven, CT, Yale University Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 480 pages. Oversize hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. This lavishly produced catalog accompanies an exhibition of Edo-era art at the National Gallery in Washington. Edo, as Tokyo was known before 1868, was the cradle of a bold aesthetic that blurred the boundaries between traditional artistic disciplines and flourished in the centuries of national isolation enforced by the Tokugawa shogunate. Led by Robert T. Singer, curator of Japanese art at the Los Angeles County Museum of Art, a team of scholars has assembled an impressive array of painting, ceramics, lacquer, textiles, woodblock prints, armor, and sculpture; many pieces have never been seen outside Japan. Rather than displaying the works by medium, the curators have chosen to divide them thematically into six groups: Ornament; Samurai; Work; Religion and Festivals; Travel, Landscape, and Nature; and Entertainment. Each section is introduced with an essay and packed with color plates, more than 300 in all.
Hardcover. New York, Clarkson Potter, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, 218 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. High detail color photos throughout. Light adhesive residue on back of dust jacket.
Softcover. New York, Christie's, 1st, 1992, Book: Very Good, Dust Jacket: None, Non-Paginated. Illustrated with black & white photographs. Clean, tight copy.
Softcover. London, England, Victoria & Albert Museum, Reprint, 1996, Book: Near Fine, Dust Jacket: None, 176 pages. B&w and color photographs throughout. Pictorial paper boards. Minor wear to edges, otherwise like new.
Hardcover. Berkeley, University of California Press, First Edition, 1989, Book: Very Good, Dust Jacket: Very Good, 354 pages. Hardcover published to accompany the exhibition of the same title held at the Jewish Museum, New York, September 17, 1989 to February 1, 1990. Black cloth boards with gilt titles to spine. Full page, full color & bw illustrations throughout. Bright dust jacket with light marginal wear to edges. Light sunfade to spine. Clean, unmarked copy.
Hardcover. London, B.T. Batsford , 1st UK , 1968, Book: Very Good, Dust Jacket: Very Good, 127 pages, hardcover with dust jacket. Greek ornamentation throughout the ages. With black-and-white photographs and illustrations throughout. Rubbing and edgewear to dust jacket. Fading to dust jacket spine. Price-clipped. Pencil markings to rear endpapers. A clean and tight copy.
Softcover. RI, Rhode Island State Council on the Arts, 1st, Not given, Book: Near Fine, Dust Jacket: None, Catalog of various Rhode Island folk artists; pink and gray covers, very minor rubbing. Staple wrappers tight, pages clean and crisp. Extensive introduction on folk art communities and styles, with 57 b/w plates. Text on each artist, with artist's picture, follows. Pocket in back endpaper has 9 color plates. 40 pages.
Hardcover. New York , Charles Scribner's Sons, 1st, 1968, Book: Good, Dust Jacket: Fair, 160 pages, b&w illustrations. Some wear, tearing and de-lamination to dust jacket. Internally clean.
Softcover. Wheatridge, CO, Leman Publications, 2nd, 1972, Book: Near Fine, Dust Jacket: None, Black and white cover with photographic background of a quilt. Minor rubbing, but otherwise very little wear. Staple wrappers are tight, pages clean and crisp. Previous owner's return address on front end paper. Numerous line drawings illustrating how to make a quilt. Chapters go through the steps of the process, as it is reprinted from the Quilter's Newsletter Magazine. 26 pages.
Softcover. Japan, Shikosha, First Edition, 1987, Book: Very Good, Dust Jacket: None, 169 pages. Softcover with french flaps. Japanese & English text throughout. Striking full page, full color illustrations throughout featuring wide variety of folk textiles & artisans including ikat, fireman's garments, kyogen costumes, paper, tie-dye & stencil dye among other garments. Crisp, unmarked & bright copy.
Softcover. New York, Hirschl & Adler Modern, 1st, 1987, Book: Very Good, Dust Jacket: None, 36 pages. Illustrated with full color and black & white examples of works by Joe Zucker. Clean, tight copy.
London, Antique Collector's Club, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, SIGNED BY RHODES in gold marker on pink front end paper, 160 pages illustrated in color. Small bump to top of spine
Hardcover. St. Louis, Missouri History Museum Press, 1st Edition, 2016, Book: Very Good, 160 pages. Softcover published to accompany the exhibition by the same name at the Missouri History Museum, 2016. Cover & interior photographs, in full color, by Cary Horton. Clean unmarked copy.
Softcover. US, Rizzoli International Publications, 1st US PB, 1985-09-15, Book: Very Good, Dust Jacket: None, 220 pages, illustrated throughout in color and b&w. Minor sunning to spine, else a clean, tight copy.
Softcover. New York, The Solomon R. Guggenheim Foundation, 1st, 1968, Book: Very Good, Dust Jacket: None, Softcover, 5000 copies printed. Quarto, 11" tall, 110 pages with four-color and B&W plates throughout, stiff illustrated wraps. Catalogue from the exhibition of 1968. Included is an introductory essay and the 775 works on view, each annotated, and many pictured. With examples of pottery (glazed and unglazed), carved stone, textiles, gold figures, copper and more. Charts showing chronology/regions and eras/regions are helpful in understanding the types of arts and when/where they were created. 22 color and 71 b&w plates; map end papers. Clean.
 "Cloth That Does Not Die: The Meaning of Cloth in B")
 "Clothing and Textile Collections in the United States: A CSA Guide (SIGNED)Queen, Sally and Vicki L. Berger")
 "Edo: Art in Japan 1615-1868Singer, Robert T.")
 "Fabrics: The Decorative Art of TextilesLeBeau, Caroline")
 "Fabulous fabrics of the 50s: (and other terrific textiles of the 20s, 30s, and 40s)Bosker, Gideon")
 "Japanese Folk TextilesN/A")
 "Mastercraftsmen of Ancient Peru Sawyer, Alan R.")