Hardcover. New York, Rizzoli International Publications Inc., 1st, 2005, Book: Very Good, Dust Jacket: None, Unpaginated, black and white photographs of celebrities. Large folio with slipcase. Interview by Lou Reed and essay by Matthew Barney. Some peeling on slip case and remainder dot on botton edge of book. Otherwise a crisp and tight copy.
Softcover. New York, Evanescent Press, 1st, 2016, Book: Very Good, Dust Jacket: None, 32 pages. Softcover to accompany exhibition curated by J Pasila at Baxter Street @ CCNY, April 2016. Note by author laid-in. Full color photographs throughout. Clean unmarked text.
Paperback. Maine, Portland Museum of Art, 1st, 1997, Book: Very Good, Dust Jacket: None, 95 pages, paperback with French flaps. Prints by the artists at the Viinalhaven Press. Many colorful illustrations throughout. Unmarked. Bright and clean; a tight copy.
Paperback. Corte Madera, CA, Pomegranate Artbooks, 1st wraps, 1980, Book: Very Good, Dust Jacket: None, Color illustrations of unicorns by various artists. Paperback. Unpaginated.
Hardcover. London, Weidenfeld & Nicolson, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, 282 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy.
Hardcover. New York, Artisan, First Edition, 2001, Book: Very Good, Dust Jacket: None, 118 pages. Softcover with french flaps SIGNED BY AUTHOR to title page. Toning to cover edges. Full page, full color & black & white photographs by Peter Mauss. Coffee-table sized. Clean, unmarked copy.
Softcover. Indianapolis, IN, Indianapolis Museum of Art, 1st, 1974, Book: Near Fine, Dust Jacket: None, Exhibition catalog with yellow covers, b/w plate on front; hardly any wear. Staple wrappers are tight. Pages clean and crisp with exception of last two, which are pressed together. 84 b/w plates of stoneware in exhibition, accompanied by catalog listings. 10 other b/w photographic plates in the essay on Indiana stoneware at front; history, techniques, and various artists discussed. Glossary of terms in back. 48 pages.
Hardcover. San Francisco, CA, Chronicle Books, 1st, 1996, Book: Very Good, Dust Jacket: None, 288 pages, hardcover. A chronicle of the art and artists of Crown Point Press. Slightly soiled top copy edge. Light edgewear to top edge boards. Mildly cocked binding. Unmarked. A bright copy.
Hardcover. NY, Rizzoli, 1st , 1994, Book: Very Good, Dust Jacket: Very Good, 36 interviews with prominent artists & art dealers. Black & white photos. 277 pages. Dj with light edgewear.
Hardcover. Walnut Creek, California, Frank J. Mikesh, 1st, 1992, Book: Very Good, Dust Jacket: None, 96 pages. Sale catalog of of 1347 books and ephemera, spanning 8 centuries and 5 continents. number 56 of limited edition of 150 copies. Black spiral binding, white covers with color illustration of "Snapped Twig" by Roy M. mason, preface by author/seller. Very slight rubbing and soiling to covers, pages crisp and unmarked.
Hardcover. New York, Museum of Modern Art, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 168 pages. Hardcover still in publisher's shrinkwrap. Dust jacket unmarked. Binding is strong. Clean tight copy.
Hardcover. London, Faber & Gwyer Limited, reprint, 1929, Book: Good, Dust Jacket: None, 304 pp. 128 b&w plates. Some slight discoloration on the pages. Name and date written on the inside cover by a previous owner.
Softcover. New York, The Museum of Modern Art, 1st, 1959, Book: Very Good, Dust Jacket: None, 95 pages. Softcover with slight edgewear. Small stains on front wrapper with minor foxing on top edge. Otherwise clean, unmarked copy. Black and white images throughout.
Hardcover. NY, Frederic Fairchild Sherman, 1st, 1919, Book: Very Good, Dust Jacket: Very Good, A collection of brief profiles of popular artists of the day: Beardsley, Dulac, Kay Nielsen, Bakst, others. Black & white illust.
Softcover. New York, Grace Borgenicht Gallery, 1st, 1987, Book: Very Good, Dust Jacket: None, Exhibition catalog. Red stapled wrappers, 7 full page b&w plates, biographical notes on featured artists. Light rubbing to wrappers, pages crisp and unmarked; a neat, tight catalog.
Hardcover. Boston, Little, Brown and Company, First Edition, 2001, Book: Very Good, Dust Jacket: Very Good, 652 pages. Hardcover. Mock marble cloth boards with white titles to black cloth spine. Black & white illustrations throughout. Dust jacket with only light marginal wear to edges. Clean, unmarked copy.
Hardcover. London, UK, George Bell and Sons, First Edition, 1905, Book: Very Good, Dust Jacket: None, Hardcover. 204 pages with 30 page Catalogue of the Exhibited Works of Turner to rear. Bright red cloth covered boards with intricate embossed design & gilt titles to cover. Faded gilt titles to spine. Full page full color illustration of the painting Portsmouth, as frontispiece protected with a tissue guard. Full color & black & white illustrations throughout. Light toning. Clean, unmarked copy.
Softcover. New York, Aperture, 1st, 1993, Book: Very Good, Dust Jacket: None, 220 pages. Softcover. Sunfading to spine and front wrapper. A very clean, unmarked copy with only minor wear. Black & white images throughout. Preface by Ansel Adams.
Softcover. Washington, DC, Smithsonian Institute Press, 1st, 1976, Book: Very Good, Dust Jacket: None, Exhibition catalog. 96 pages. 147 B&W prints and one color. Frontispiece. Blue pictorial cover with sun-fading to bottom edge of front cover. Overall, a clean, tight copy.
Hardcover. Providence, RI, Rhode Island School of Design, 1st, 1970, Book: Very Good, Dust Jacket: None, 138 pages. Softcover with slight edgewear. Minor shelf wear to back wrapper with sun fading to spine. Otherwise a clean, unmarked copy. Black and white images throughout.
Softcover. New York, The Knoedler Galleries, 1st, 1960, Book: Very Good, Dust Jacket: None, Exhibition catalog. 151 pages. B&W illustrations. Pictorial cover with flaps. Slight wear to covers and spine. Overall, a clean, tight copy.
Softcover. New York, Marlborough Gallery, 1st, 1994, Book: Very Good, Dust Jacket: None, 24 pages. Softcover. A very clean, unmarked copy with only minor wear to dust jacket edges. Light yellowing to top edge of cover. Full page, full color photographs of the artist's work throughout.