Softcover. Ithaca, New York, Herbert F. Johnson Museum of Art, 1st, 1978, Book: Very Good, Dust Jacket: None, Stapled covers with full color illustration, foreword by Thomas W. Leavitt, profusely illustrated with b&w plates. Slight rubbing to covers; otherwise a tight, clean copy.
Softcover. Los Angeles, Armand Hammer Foundation, 1st, 1981, Book: Very Good, Dust Jacket: None, 272 pages plus index, color illustrations. Light edge wear; few small tears to spine. Else a clean, tight copy.
Softcover. New York, Associated American Artists, 1st, 1985, Book: Very Good, Dust Jacket: None, 12 pages. Exhibition catalog. Stiff beige stapled wrappers, complete catalogue of exhibition, 9 b&w plates, short biographical essay, price list of exhibition pieces laid-in. Clean wrappers, pages crisp and unmarked; a very clean, tight copy.
Softcover. Ithacac, New York, Herbert F. Johnson Museum of Art, Cornell University, 1st, 1974, Book: Very Good, Dust Jacket: None, Exhibition catalog. Blue stapled covers, catalog, preface by Thomas W. Leavitt, introduction by Will Barnet, 7 b&w plates including illustration to front cover, catalog, biographical data. Light rubbing to covers, slight bend in top of spine; otherwise a tight, clean copy.
Softcover. Philadelphia, Univ of Pennsylvania Pr, 1st, 1985, Book: Very Good, Dust Jacket: None, 231 pages. Light edgewear to wrappers, Color and black and white pictures throughout. Clean.
Softcover. New York, G. Peters Gallery in association with John Van Doren, 1st, 1990, Book: Very Good, Dust Jacket: None, Non-paginated. illustrated throughout with 31 plates in color. Clean, unmarked copy with only minor wear to wrappers.
Softcover. France, Centre Georges Pompidou, 1st, 1981, Book: Very Good, Dust Jacket: None, 209 pages, illustrated throughout in color and b&w. Text in French. Silver stiff wrappers. Light wear to edges, else a very nice, tight copy.
Softcover. Cambridge, Hayden Gallery/MIT, 1st, 1969, Book: Good, Dust Jacket: None, Non-Paginated. Softcover exhibition catalog. Black & white illustrations. Tender spine with separation at center of catalog, with pages likely to come loose in time. Clear unmarked pages. Some fading and minor soiling to covers.
Softcover. Ann Arbor, MI, University of Michigan Museum of Art, 1st, 1972, Book: Very Good, Dust Jacket: None, 93 pages, b&w illustrations. Light edge wear to wrappers. Else a clean, tight copy.
Softcover. Houston, Contemporary Arts Museum, 1st, 1995, Book: Very Good, Dust Jacket: None, 96 pages. Color and B&W plates throughout. Nice clean copy with minor wear to covers.
Softcover. Columbus, OH, Columbus Museum of Art and Greater Columbus Arts Council, 1st, 1980, Book: Very Good, Dust Jacket: None, Exhibition catalog with black covers, minor rubbing but in good condition. Staple wrappers show light wear, but are still tight. Pages clean, crisp, and glossy. Two introductory essays, 67 b/w plates from various American artists, meant to represent many different styles. One work per artist, complete listing of artists. 86 pages.
Softcover. New York, Museum of Modern Art, 1st, 1944, Book: Very Good, Dust Jacket: None, Softcover, 255 pages, color frontispiece, mostly b&w illustrations, introduction by James Thrall Soby. Clean, bright copy.
Paperback. London , National Gallery, 1st wraps, 1976, Book: Very Good, Dust Jacket: None, Exhibition catalog, many black & white illust, some color. 144 pages. Cover wrap with light rubbing, some white 'scarring'.
Softcover. Columbus, Ohio, Columbus Museum of Art, 1st, 1981, Book: Very Good, Dust Jacket: None, Exhibition catalog, 96 pages, 21 color plates and many B&W plates. Light edgewear and slight tanning to wrapper edges. Some small spots on wrapper. Otherwise a very tight and clean copy.
Softcover. Chicago, IL, The Martin D'Arcy Gallery of Art, 1st, 1975, Book: Very Good, Dust Jacket: None, Exhibition catalog. Approx. 70 pages. 52 B&W photographs. Frontispiece. White pictorial cover with slight soiling. Overall, a clean, tight copy.
Softcover. Williamstown, MA, President and Trustees of Williams College, 1st, 1983, Book: Near Fine, Dust Jacket: None, Exhibition catalog with gray covers that form a jacket. In great condition, with only minor fading on the spine. Paper binding is tight. Pages are glossy, clean and crisp. 36 color plates divided between the two artists. Oil painting, tempera painting, and mosaic style work is all represented. Biographical information on the two artists is included at the front.
Softcover. Clinton, NY, Fred L. Emerson Gallery, Hamilton College, 1st, 1984, Book: Good, Dust Jacket: None, 103 pages. Exhibition catalog. Mostly black-and-white illustrations with occasional color illustration. Light shelf-wear and edge-wear. Top corner of rear cover slightly faded. A little foxing on top edge. Minor soiling to fore and bottom edges. Bottom corner of last few pages and rear cover lightly creased. Nice, tight copy.
Softcover. New York, Metropolitan Museum of Art, 1st, 1969, Book: Very Good, Dust Jacket: None, Exhibition catalog. Laminate wrappers completely illustrated in color, perfect binding, profusely illustrated with b&w plates, foreword by Thomas P. F. Hoving, preface by Governor Nelson A. Rockefeller, essays by multiple authors. Slight rubbing to wrappers, pages crisp and unmarked, stiff binding; a very clean, tight copy in great condition.
Softcover. Minneapolis MN, Museum of Russian Art, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog, 56 pages illustrated in color and b&w. Introduction by John Yau, interview with the artist. Clean copy.
Hardcover. New Haven, Yale University Press , 1st, 1989, Book: Very Good, Dust Jacket: Very Good, 472 pages, 480 images (80 in color). Exhibition catalog for a traveling exhibition. Black coth covers in a bright dust jacket.
Softcover. Washington, DC, National Gallery of Art, 2nd, 2003, Book: Very Good, Dust Jacket: None, 334 pages. Softcover. Very clean, unmarked copy with some minor wear to wrapper edges. 224 color plates with 86 black & white illustrations. One of the nation's most unique artistic voices finds expression in this fascinating retrospective of his work, illuminating his groundbreaking work in collages, watercolors, and oils, with examples of his lesser-known landscape painting, sculpture, costume designs, and more.
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