Hardcover. New York, Watson-Guptill, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, 168 pages, 188 b&w illustrations, 83 plates in full color. Tan cloth with red titles, slight stain to front cover. Pictorial yellow dust jacket. Light wear to edges, minor sunning to back cover, else a very ice, tight, clean copy.
Hardcover. US, University of California Press, 1st, 2010-01-05, Book: Very Good, Dust Jacket: Very Good, 354 pages, illustrated throughout in color and b&w. Light edgewear to dust jacket, else a clean, tight copy.
Hardcover. New York, Watson-Guptill, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, 144 pages, 135 plates in full color. An excellent instructional book focusing on conveying mood and a sense of place in your paintings. Gray cloth with gilt title to spine. Pictorial dust jacket with light wear to edges and spine. Corners slightly bumped, otherwise a tight, clean copy.
Hardcover. New York, Harry N Abrams, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Exhibition catalog. 110 pages, illustrated throughout in color and b&w. Light edgewear to dust jacket else a clean, tight copy.
Hardcover. 1st, Book: Very Good, Dust Jacket: Very Good, Unpaginated, illustrated throughout with 500 b&w illustrations and 32 plates in full color. Heavy folio. Light edgewear to dust jacket else a clean, tight copy.
Softcover. Taschen, 1st thus, 2001, Book: Very Good, Dust Jacket: None, French Text. 96 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to wrappers.
Softcover. US, Museum of Modern Art, 1st, 1988-01-01, Book: Very Good, Dust Jacket: None, 151 pages, illustrated throughout in b&w. Light edgewear and rubbing to wrappers, else a clean, tight copy.
Hardcover. New York, Harry N. Abrams Inc., 1st German, 1966, Book: Very Good, Dust Jacket: Good, 163 pages, hardcover with dust jacket. GERMAN TEXT. Retrospective on the work of Paul Klee. Glued-in photocopied essay in English by the author on front endpaper and flyleaf. Artist related ephemera, ranging from postcards to museum pamphlets, tipped in. Mild edgewear to lower boards. Moderate bumping to corners. A tight copy.
Paperback. Paris, Galerie Beyeler, 1st French, 1975, Book: Very Good, Dust Jacket: None, 47 pages, paperback. French text. Slight fade to one inch area on front wraps. Minor rubbing to rear wraps. Many b&w and color plates throughout. Unmarked. Bright and clean; a tight copy.
Hardcover. New York, Tudor Publishing Company, 1st US, 1968, Book: Very Good, Dust Jacket: Fair, 257 pages. Full color illustrations. Text in English, French, German. Previous owners name on front endpaper. Light foxing to endpapers. Stamping on top and bottom edge. Dust jacket worn with repaired tears along edges. Clean, tight copy.
Paperback. VT, Robert Hull Fleming Museum, 1st, 1995, Book: Very Good, Dust Jacket: None, 136 pages, paperback with French folds. A selection of Picasso's prints and drawings from the Ludwig Museum in Cologne, Germany. Printed exclusively for an exhibition at the Robert Hull Fleming at the University of Vermont. Corners lightly bumped. Unmarked. Bright and clean; a tight copy.
Softcover. London, Routledge , 1st Edition, 1988, Book: Very Good, Dust Jacket: None, 281 pages. Softcover published as Sociological Review Monograph number 35. Light foxing to top edge. Black & white illustrations throughout, including diagrams. Clean unmarked copy.
Hardcover. New York, Harry N. Abrams, 1st, 1950, Book: Good, Dust Jacket: None, 127 pages. Hardcover. Illustrated with full color tipped-in plates. Standard wear to covers' clear protective plastic jacket. Fading to cloth of spine and cover edges. Interior clean, tight.
Hardcover. New York, Random House, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 246 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Intact title strip surrounding dust jacket. Over 200 color prints throughout.
Softcover. New York, Christie's , 1st, 2008, Book: Very Good, Dust Jacket: None, 329 pages, paperback with French flaps. Beautiful color plates, fold out plates as well. Light rubbing to wraps. Slight soiling to fore edge text block. Unmarked. A bright and tight copy.
Softcover. New York, Sotheby's, 1st, 1985, Book: Very Good, Dust Jacket: None, Unpaginated, paperback. Auction catalog of Pre-Columbian art. With many color and black-and-white photographs throughout. Moderate fading and edgewear to wraps. Unmarked. A tight copy.
Hardcover. New York, Macmillan & Co., 1st, 1948, Book: Very Good, Dust Jacket: Fair, 239 pages illustrated throughout with plates in b&w. Red cloth, gilt lettering to spine. Pictorial dust jacket with multiple closed tears and slight wear. The copy itself is very nice, tight and clean.
Softcover. New Bedford, MA, Whaling Museum, Old Dartmouth Historical Society. , 1st, 1974, Book: Very Good, Dust Jacket: None, Exhibition catalog. xvi, 113 pages, illustrated throughout in b&w with a few color plates. Pictorial stiff wrappers. Minor wear to edges, previous owner's inscription on front fly leaf, else like new.
Hardcover. NY, Questroyal Fine Art LLC, 1st, 2016, Book: Very Good, Dust Jacket: None, Unpaginated, hardcover. With 60 color plates and several critical essays. Light bumping to corners, mild rubbing to rear boards. Unmarked. Bright and clean; a tight copy.
Hardcover. New York, Pantheon Books, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Non-Paginated. Illustrated with black & white photographs by Robert Rauschenberg. Price clipped dust jacket shows light wear. Clean, tight copy.
Hardcover. New York, NEW YORK, George Brazillier, 1977, Book: Very Good, Dust Jacket: Very Good, 114 p. 84 illustrations including 44 color plates. Selected Bibliography.
Hardcover. Cleveland OH, The Cleveland Museum of Art, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, 292 pages, hardcover with dust jacket. A document of the history and aesthetics of the Japanese realist tradition. Moderate rubbing and edgewear to dust jacket, mostly to top edge. Fading to upper top edge of dust jacket. Light bumping to corners. Full color and black-and-white photos throughout. Unmarked. A tight copy.