Hollywood CA, Warner Brothers, 1989, Book: Very Good, Dust Jacket: None, Promotional piece which unfolds to a large (42" X 57") color poster featuring 105 cartoon characters from the Warner Brothers stable. The studio was promoting their cartoon package to local TV stations. Fold creases otherwise excellent condition.
Hardcover. New York, The Continuum Publishing Company, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, 240 pages, hardcover with dust jacket. Film criticism on how English language films dealing with Africa have a mixed legacy of reinforcing racism. Light rubbing and edgewear to dust jacket. Minor smudging to text block edges. Unmarked. A tight copy.
Softcover. Baltimore, MD, The John Hopkins University Press, First Thus, 1994, Book: Very Good, Dust Jacket: None, 265 pages. Softcover. Black & white illustrations throughout. Clean text with tight binding & sharp corners. A nice copy.
Hardcover. New York , Living Books, Inc, 1st, 1966, Book: Good, Dust Jacket: Good, 323 pages, b&w photos. Some wear, rubbing and soil to yellow dust jacket. Faint foxing to top edge. Nice readingcopy.
Hardcover. NY, Citadel, 1st , 1966, Book: Very Good, Dust Jacket: Good, Many black & white photos. Foreward by Gene Kelly. Dj with big chunk gone from rear panel. price clipped 256 pages.
Softcover. Berkeley, University of California Press, 1st pb, 2006, Book: Very Good, Dust Jacket: None, 373 pages, b&w illustrations. Clean, unmarked copy with only minor wear to wrappers.
Hardcover. New Haven, Ct, Yale University Press, Revised and Axpanded Ed., 2001, Book: Very Good, Dust Jacket: Very Good, 364 pages, illustrated throughout in b&w. Light edgewear to dust jacket, else a clean, tight copy.
Hardcover. US, Prentice Hall Trade, 1st, 1989-09-01, Book: Very Good, Dust Jacket: Very Good, 254 pages, illustrated throughout in b&w. Light edgewear to price clipped dust jacket. Clean, tight copy.
Softcover. New York, Seagull Books, Reprint, 2018, Book: Very Good, Dust Jacket: None, 512 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Black and white images throughout. Few figures in cinema history are as towering as Russian filmmaker and theorist Sergei Mikhailovitch Eisenstein (1898
Hardcover. New York, Farrar, Straus and Giroux, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 608 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Minor curling on top of dust jacket spine. Black & white images throughout.
Softcover. Chicago, IL, University of Chicago Press, First Edition, 1985, Book: Very Good, Dust Jacket: None, 386 pages. Softcover. Bright wraps with light wear to edges, creases to front lower right corner. Previous owner's name to front half title page. Frontis illustration, The Final Close Up, Charlie Chaplin, City Lights, in black & white. Black & white illustrations throughout. Light (erasable) pencil to first chapter. Else clean, tight copy.
Hardcover. Berkeley, Univ. of Calif., 1st , 1994, Book: Very Good, Dust Jacket: Very Good, 568 pages. Hardcover. Black & white photos throughout. Gilt titles on spine. Includes extensive bibliography. Some shelf wear to mylar dust jacket protector. Otherwise Clean, unmarked copy with only minor wear to dust jacket.
Softcover. Durham, NC, Duke University Press, 1st paperback, 2002, Book: Very Good, Dust Jacket: None, 212 pages. Softcover. B/w illustrations throughout. Wrapper very good. Binding tight. Very clean copy, inside and out. Angelo Restivo argues for a completely new understanding of the Italian art cinema of the 1960s as a negotiation between a national aesthetic tradition of realism and a nascent postmodern image culture.
Hardcover. New York, Columbia University Press, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, 235 pages. Illustrated with 8 pages of black & white film stills. Clean, tight copy.
Hardcover. Cambridge, MA, Harvard University Press, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 327 pages. Hardcover. B/w illustrations throughout. Black cover boards, gilt title on spine. Dust jacket unclipped, excellent. In beautiful condition. Pages clean and bright, binding tight, spine straight. Looks nearly new. To continue doing business in Germany after Hitler's ascent to power, Hollywood studios agreed not to make films that attacked the Nazis or condemned Germany's persecution of Jews.
Softcover. Berkeley, CA, University of California Press, 2nd, 1991, Book: Very Good, Dust Jacket: None, 251 pages. Softcover. B/w illustrations throughout. Light pencil (erasable) throughout. Wrapper excellent. Binding tight. Pages bright. In very good shape. Contemporary film thinkers explore the age-old puzzles of film comedy.
softcover. New York, Manchester University Press, 1st, 1996, Book: Very Good, Dust Jacket: None, 190 pages. Softcover. Black and white photographs. Light edgewear to wrappers, otherwise clean, tight copy.
Softcover. US, Farrar Straus & Giroux, 1st US, 1990-05-01, Book: Very Good, Dust Jacket: None, 590 pages. Faint foxing to top edge, and end papers, else a clean, tight copy.
Softcover. Cambridge, UK, Cambridge University Press, 1st paperback, 2002, Book: Very Good, Dust Jacket: None, 383 pages. Softcover. B/w illustrations throughout. Binding tight. Light (erasable) penciling throughout. Wrapper very good. Previous owner's name on front flyleaf. Very good copy, in great shape. "Focusing on ten films...Leitch traces the transformation of the three leading figures that are common to all crime films: the criminal, the victim, and the avenger."
Hardcover. Chicago, University of Chicago Press, 1st, 1933, Book: Very Good, Dust Jacket: None, Hardcover, rust-color cloth, 222 pages, b&w illustrations. INSCRIBED BY AUTHOR on front fly leaf and dated in the year of publication. An examination of educational films in the early 1930s, their techniques, success and equipment used. Minor notations, mostly pencil on inside front cover, otherwise clean.