Hardcover. London, Phaidon Press Ltd, 1st, 2005, Book: Very Good, Dust Jacket: Good, 464 pages. Color and b/w illustrations and photographs throughout. Ten architecture critics each choose 10 up and coming architects and present their work with detailed descriptions and criticism. Boards decorated with intricate carvings that show through clear plastic dust cover. Dust cover yellowed with age. A little light soiling to bottom edge and corner. Clean inside.
Hardcover. Chicago IL, University of Chicago Press , 1st, 1981, Book: Very Good, Dust Jacket: Very Good, 312 pages, b&w illustrations. Very good in a bright, unclipped dust jacket.
Hardcover. New York, Architectural Record Books, 1st, 1975, Book: Very Good, Dust Jacket: Good, 214 pages. Hardcover. Black & white illustrations. Dust jacket with closed tears along edges - jacket now protected with clear plastic cover. Clean, tight copy.
Hardcover. Princeton, NJ, Princeton University Press, 1st. edition, 1982, Book: Very Good, Dust Jacket: Very Good, 185 pages plus plates and fold-out floor plan. B/w illustrations. Cover boards bound in red cloth, gilt title on black, on spine. Dust jacket unclipped, excellent, wrapped in protective clear, plastic brodart. In beautiful condition. Using previously unavailable archival collections, Professor Kubler enables us to "relive" the Escorial's "entire gestation and construction" as he connects building history with architectural criticism.
Boston, Boston Univ. Press, 1st, 1950, Book: Very Good, Dust Jacket: None, A collection of essays, color photos on stained glass window art located in various chapels. 207 pages.
Hardcover. New York, Abbeville Press, 1st 16th printing, 1986, Book: Very Good, Dust Jacket: Very Good, 190 pages. Hardcover with dust jacket. Color pictures throughout. Light edgewear to dust jacket, otherwise clean, tight copy.
Softcover. New York, Rizzoli, 1st, 1990, Book: Very Good, Dust Jacket: None, 344 pages. Softcover. Black & white photographs. Minor abrasion to very edges of 10 pages. Black wrap cover with titles on green. Clean, unmarked pages.
Hardcover. Chicago and London, The University of Chicago Press, 2nd, 1993, Book: Good, Dust Jacket: None, 492 pages, hardcover, no dust jacket. Plans, photographs, drawings, and commentary regarding Frank Lloyd Wright's nearly 500 known works. Many black-and-white illustrations and photos throughout. Slight cocking to spine. Slight bowing to front panel as well. Rubbing to spine, light bumping to corners. Mild age toning to top text block edge. Unmarked. A clean copy.
Hardcover. Boston, Bulfinch, 3rd printing, 1999, Book: Very Good, Dust Jacket: Very Good, 312 pages. Hardcover with dust jacket. A very clean, unmarked copy with wear to dust jacket. Dust jacket edges frayed. And otherwise tight copy. Color illustrations throughout.
Hardcover. Chicago, University of Chicago, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, 171 pages. Illustrated with black & white photographs. Clean, bright copy.
Hardcover. New York, Alfred A. Knopf, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 887 pages. Hardcover. Fore edge untrimmed. Gilt title on spine. Clean inside and out. From the dust cover front flap: "From the late Herbert Muschamp, the former architecture critic of The New York Times and one of the most outspoken and influential voices in architecture criticism, a collection of his best work."
Hardcover. New York, The Monacelli Press, 1st, 2011, Book: Very Good, Dust Jacket: None, 216 pages. Hardcover with no dust jacket. A very clean, unmarked copy with only minor edgewear.
Softcover. Philadelphia PA, Society of Architectural Historians, 1st, 1974, Book: Very Good, Dust Jacket: None, Four softcover journals, 368 pages total, orange paper wrappers. B&w illustrations throughout. Clean, bright copies.
Softcover. Philadelphia PA, Society of Architectural Historians, 1st, 1975, Book: Very Good, Dust Jacket: None, Four softcover journals, 331 pages total, orange paper wrappers. B&w illustrations throughout. Clean, bright copies.
Softcover. Philadelphia PA, Society of Architectural Historians, 1st, 1976, Book: Very Good, Dust Jacket: None, Four softcover journals, 332 pages total, orange paper wrappers. B&w illustrations throughout. Clean, bright copies.
Softcover. Philadelphia PA, Society of Architectural Historians, 1st, 1977, Book: Very Good, Dust Jacket: None, Four softcover journals, 290 pages total, orange paper wrappers. B&w illustrations throughout. Clean, bright copies.
Softcover. London UK, Penguin, reprint, 1986, Book: Very Good, Dust Jacket: None, 448 pages, paperback. Architectural criticism. Includes a postscript on Late-and Post-Modern architecture. Mild rubbing to wraps. Slight soiling to rear panel. Black-and-white illustrations throughout. A tight copy.
Hardcover. New York , Longmans, Green and Co., 1st, 1930, Book: Good, Dust Jacket: None, 404 pages, 389 b&w illustrations, black cloth spine over brown cloth with gilt design. The gilt has faded on spine and covers. Internally clean, some related news clippings laid in, causing some light tanning to prelim pages.
New York, Viking Press, 1st, 1972, Book: Very Good, Dust Jacket: None, 143 pages. Hardcover with no dust jacket. Fading from former dust jacket flaps inside front and back covers. Very clean, unmarked copy with only minor wear to dust jacket edges. Tight copy. Color and black & white images throughout.
Softcover. Cambridge, MA, MIT Press/Institute for Architecture and Urban Studies, 1st, 1980, Book: Very Good, Dust Jacket: None, 128 pages. Art journal published quarterly by MIT Press, on behalf of the Institute for Architecture and Urban Studies, Spring 1980. White wrappers, perfect binding, b&w illustration throughout. Slight rubbing to covers, pages crisp and unmarked; overall, a very clean, tight copy.
Softcover. Cambridge MA , MIT Press, 1985, Book: Very Good, Dust Jacket: None, 119 pages plus ads, softcover, b&w illustrations. A quarterly journal of art criticism. Essays include Viktor Shklovsky on poetry and trans-sense language, Hal Foster on the primitive in modern art, Christian Metz on photography and fetish, an interview with video artist Bill Viola, other articles. Clean, tight copy.