Hardcover. Milano, Silvana Editoriale D'Arte, 2nd, NA, Book: Very Good, Dust Jacket: None, 24 page introduction followed by 58 mostly black & white plates. Missing small piece at top of spine. Paper darkening along top edge of covers. Clean, tight copy.
Hardcover. Milan, Italy, Arti Grafiche Ricordi, 1972, Book: Very Good, Dust Jacket: None, Printed on satin. This green satin-covered book holds 10 loose-leaf portraits and has its own brown cloth slipcase. In the slipcase, its size is 14" x 18". Issued w/out dj.
Softcover. Portland, ME, Barridoff Galleries, 1st, 1985, Book: Very Good, Dust Jacket: None, Exhibition catalogue containing 28 color reproductions (mostly full-page) of Antonio Baron's paintings and drawings. Also includes chronology of the artist's life. Very good condition; lower right corner slightly bent, some creasing near the spine.
Softcover. US, Prentice Hall, 2nd, 2001-09-11, Book: Good, 512 pages. Extensive b&w and color illustrations throughout. Includes extensive notes and documentation. Good reference copy.
Hardcover. New York, Artabras/Abbeville Press, 1st, 1994, Book: Very Good, Dust Jacket: None, Two volumes in a gilt decorated slipcase, 1312 total pages. Illustrated with 700 color plates,hundreds of b&w and duotone illustrations. Photography by Takashi Okamura. The definitive visual book on the period. Book and slipcase in like-new condition.
Hardcover. US, Harry N. Abrams, 1st, 2008-11-01, Book: Very Good, Dust Jacket: Very Good, 265 pages, illustrated throughout in color. Light shelf-wear title to dust jacket, else a clean, tight copy.
Softcover. Italy, Museo Vela, 1st, 2006, Book: Very Good, Dust Jacket: None, Italian text. 83 pages, illustrated throughout in b&w and coor. Clean, unmarked copy with only minor wear to wrappers.
Softcover. Binghamton, SUNY/Binghamton, 1st, 1967, Book: Good, Dust Jacket: None, 102 pages. Black & white illustrations. Previous owners name at top of front endpaper. Lower right corner of front cover creased - approx. 1/2" across. Some light underlining in pencil. Exhibition catalog.
Vienna, Phaidon Press, 1st, 1937, Book: Good, Dust Jacket: Fair, 150 works of Botticelli, reproduced in monochrome photogravure and with color plates, with introduction by Lionello Venturi. Dust jacket edge wear and chip, with missing chunks along top edge. Light edge fade throughout, otherwise, clean and tight copy.
Softcover. Cambridge MA, Harvard Business School, 1st, 2006, Book: Very Good, Dust Jacket: None, 204 pages, b&w illustrations. Articles on Milan as a Fashion Center, Danish Modern Furniture Design, DuPont's Marketing of Fashion and Fabrics.
Softcover. Cambridge MA, Harvard Business School, 1st, 2006, Book: Very Good, Dust Jacket: None, 204 pages, b&w illustrations. Articles on Milan as a Fashion Center, Danish Modern Furniture Design, DuPont's Marketing of Fashion and Fabrics.
Softcover. Cambridge MA, Harvard Business School, 1st, 2006, Book: Very Good, Dust Jacket: None, 204 pages, b&w illustrations. Articles on Milan as a Fashion Center, Danish Modern Furniture Design, DuPont's Marketing of Fashion and Fabrics.
Hardcover. Italy, Opera Della Primaziale Pisana, 1st, 1960, Book: Good, Dust Jacket: None, 143 pages + numerous illustrations/plates in color and b/w, fold. map. ITALIAN TEXT. Covers show some wear/fading from age. Gilt title on spine and front cover. Bound in red fabric. Some foxing to edges/ but pages/illustrations clean, does not affect text. Still a quite tight binding.
Softcover. New York, Westview Press, 1st, 1985, Book: Good, Dust Jacket: None, 404 pages, illustrated throughout in color and b&w. Light edgewear and scuffing to wrappers. Overall, a tight clean copy.
Hardcover. Italy, Skira Edition, 1st, 2002, Book: Very Good, Dust Jacket: None, Color photographs taken by Ettore Sottsass of the Cartier Collection jewels for an exhibit at the Museum of Fine Arts, Houston from October 2004 - March 2005. Spotless and tight copy.
Softcover. Durham, NC, Duke University Press, 1st paperback, 2002, Book: Very Good, Dust Jacket: None, 212 pages. Softcover. B/w illustrations throughout. Wrapper very good. Binding tight. Very clean copy, inside and out. Angelo Restivo argues for a completely new understanding of the Italian art cinema of the 1960s as a negotiation between a national aesthetic tradition of realism and a nascent postmodern image culture.
Softcover. Los Angeles , The Armand Hammer Foundation , 1st, 1981, Book: Very Good, Dust Jacket: None, 124 pages. Softcover. A clean, unmarked copy with only minor edgewear. Black and white illustrations throughout. A collection of Leonardo Da Vinci sketches.
Softcover. Milan, ICE/ADI, 1st, 1989, Book: Very Good, Dust Jacket: None, 116 pages. Softcover. Illustrated with full color and black & white photographs. Text in English and Italian. Light wear. Clean, tight copy.
Softcover. Rome, Italy, Edition Belvedere, 1st, 1981, Book: Very Good, Dust Jacket: None, 183 pages, 130 color plates of French women's costumes, cover mostly unglued from spine - binding in fragile condition, slight wear at edges and corners - pages very clean and crisp.
Hardcover. New York, Doubleday, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 368 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket edges. This dramatic, beautifully written account of the flood that ravaged Florence, Italy, in 1966 weaves heartbreaking tales of the disaster and stories of the heroic global efforts to save the city s treasures against the historic background of Florence s glorious art.