Hardcover. NY, G.P. Putnams, 1st, 1921, Book: Good, Dust Jacket: None, Hardcover, red cloth with red and black design. Front hinge cracked, end papers stamped. Frontispiece by E.W. Kemble. Stories told in black dialect. Except for a few pages creased, internally very good.
Softcover. New York, Plume, 1st, 1990, Book: Good, Dust Jacket: None, 534 pages. Softcover. Previous owner's signature on title page. Some rubbing to corners. Otherwise clean, tight copy.
Hardcover. Boston, James R. Osgood and Company , 1st, 1878, Book: Good, Previous owner's inscription front end paper. Black & white illustrations by Augustus Hoppin. Cover shows wear, some internal foxing but otherwise clean. hardbound, no dust jacket.
Hardcover. New York , McGraw Hill, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover, 171 pages, in a bright, unclipped dust jacket with art by Charles Lilly.
Hardcover. New York, Henry Holt & Co, 1st, 1990, Book: Good, Dust Jacket: Very Good, 199 pages. Some foxing to top and fore edge, otherwise clean, tight copy.
Hardcover. Cambridge, MA, Ginn & Company, Reprint, 1905, Book: Good, Dust Jacket: None, 390 pages. Hardcover. Green cloth covered boards, with wolf & moon vignette printed in gilt & black. Gilt titles to cover & spine. Moisture stains to front board. Moisture marks to gutter, top & bottom edges have resulted in cracks to gutter, pp. xix, 215 & 179. Profusely illustrated in bw by Charles Copeland throughout. Gilt top edge, light toning to edges.
Softcover. NY, Amistad, 1st, 1993, Book: Very Good, Dust Jacket: None, 330 pages, soft cover. Exterior and interior are in very good condition. This is one of six volumes of literary criticism launching the Amistad literary series, which is devoted to literary fiction and criticism by and about African Americans. Clean copy. Record # 33605
Hardcover. New York, Columbia University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 255 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Black and white images throughout. In this book, a scientist and dedicated film enthusiast discusses the portrayal of science in more than one hundred films, including science fiction, scientific biographies, and documentaries. Beginning with early films like Voyage to the Moon and Metropolis and concluding with more recent offerings like The Matrix, War of the Worlds, A Beautiful Mind, and An Inconvenient Truth, Sidney Perkowitz questions how much faith we can put into Hollywood's depiction of scientists and their work; how accurately these films capture scientific fact and theory; whether cataclysms like our collision with a comet can actually happen; and to what extent these films influence public opinion about science and the future.
 "Reading Black, Reading Feminist: A Critical Anthology Gates, Henry Louis (EDITOR)")
 "Philadelphia Fire Wideman, John Edgar")
 "Zora Neale Hurston: Critical Perspectives Past and Present by: Editor: Gates, Henry Louis Jr. Editor: Appiah, K. A.")
 "Hollywood Science: Movies, Science, and the End of the World Perkowitz, Sidney")