Softcover. Vilnius, Lithuania, Vilniaus Dailes Akademija, 1st, 2010, Book: Very Good, Dust Jacket: None, 349 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Corner folds to multiple pages. Black and white photographs throughout.
Softcover. New York, Dover Publications, 1st thus, 1978, Book: Very Good, Dust Jacket: None, 157 pages, with reproductions of all 559 illustrations and plates, fully indexed. Edited by Marianne Fulton Margolis.
Paperback. Rochester NY, Visual Studies Workshop Press, 1st, 1983, Book: Very Good, Dust Jacket: None, 199 pages, paperback. Fictions and the fictions of theory from acclaimed theorist of film. With a foreword by Annette Michelson. Mild rubbing and edgewear to wraps. Light bumping to spine. Previous owner's signature to front endpapers. Scarce. A clean and tight copy.
Hardcover. New York, MOMA, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, 172 pages. Illustrated with color and black & white photographs (6 fold-out pages) by such noted photographers as: Brassai, Cartier-Bresson, Doisneau, Frank, Gibson, Kertesz, Ray, Mapplethorpe, Penn, Weegee, and many more. Dust jacket shows light wear along edges.
Hardcover. New York, Fotofolio, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 120 pages. Hardcover in publishers original shrinkwrap. Bright, clean copy.
Hardcover. New York, 1st, 1985, Book: Very Good, Dust Jacket: Good, 120 pages, illustrated throughout with photographs in b&w. Blue cloth, gilt lettering to spine, pictorial dust jacket. Jacket sunned on spine and upper edge, slight foxing to front fly leaf, else a nice, clean copy.
Hardcover. Paris, France, Flammarion, 1ST, 1998, Book: Very Good, Dust Jacket: Very Good, 159 pages. Hardcover with dust jacket. Black and white photographs throughout. Black boards with black lettering. Dust jacket faded lightly on edges with light foxing and rubbing on rear, otherwise clean and unmarked copy.
Softcover. London, Reaktion Books, 1st, 2007, Book: Very Good, Dust Jacket: None, 240 pages. Softcover. A very clean copy with pencil markings throughout. Some minor edgewear. Black and white images throughout.
New York, Viking Press, 1st, 1972, Book: Very Good, Dust Jacket: None, 143 pages. Hardcover with no dust jacket. Fading from former dust jacket flaps inside front and back covers. Very clean, unmarked copy with only minor wear to dust jacket edges. Tight copy. Color and black & white images throughout.
Softcover. Cambridge MA , MIT Press, 1985, Book: Very Good, Dust Jacket: None, 119 pages plus ads, softcover, b&w illustrations. A quarterly journal of art criticism. Essays include Viktor Shklovsky on poetry and trans-sense language, Hal Foster on the primitive in modern art, Christian Metz on photography and fetish, an interview with video artist Bill Viola, other articles. Clean, tight copy.
Washington DC, Preservation Press: National Trust for Historic Preservation, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover. 280 pages. Contains black & white photography and illustrations of architecture. Dust jacket with edgewear.
Softcover. Danbury, New Hampshire, Addison House, 1st, 1975, Book: Very Good, Dust Jacket: None, 215 pages. Tan laminate wrappers with color illustration, perfect binding, profusely illustrated with lovely color and b&w plates. Light rubbing and edgewear to wrappers, previous owner's signature to bottom corner of front endpaper; otherwise a very neat, tight copy.
Hardcover. New York, Random House, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, 255 pages. Illustrated with black & white reproductions of outstanding examples of American photography selected by eighty-six photographers. Includes works by: Ansel Adams, Diane Arbus, Wynn Bullock, Bruce Davidson, Walker Evans, Robert Frank, Danny Lyon, Duane Michals, Stieglitz, Weegee, and more. Clean, tight copy.
Softcover. Durham NC, Duke University Press, 1st, 2008, Book: Very Good, Dust Jacket: None, 312 pages, paperback. An exploration of the nature of photography and cinema both before and after the advent of digital media. Unmarked. Bright and clean; a tight copy.
Hardcover. Albuquerque, NM, University of New Mexico Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 198 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket.
Hardcover. 1978, University of California Press, 1st, Book: Very Good, Dust Jacket: Good, 364 pages. Illustrated with black & white photographs. Dust jacket spine sunfaded. Horizontal cut across front of dust jacket has interior tape repair. Clean, tight copy.
Hardcover. NY, Atheneum, 1st thus, 1968, Book: Very Good, Dust Jacket: Very Good, 147 pages, hardcover. Dust jacket has one small chip on the top edge. Blue cloth covers and interior pages are clean and bright. Binding is solid. Contains B&W photography throughout. This book is a biography of Andre Gide, a literary genius whose career reflects the crisis of modern man. The conflicts of Gide's inner life often became the substance of his books, and this penetrating study aptly traces their organic growth from the individual history of the writer's mind and heart. Clean copy. Record # 34378
Hardcover. NY, Abbeville Press , 1st Edition, 2nd Print, 1992, Book: Very Good, Dust Jacket: Good, 247 pages, hardcover. Dust jacket has some edge wear, most noticeable at the top and bottom of the spine. Cloth covers are clean and bright, as are interior pages. Binding is solid. Contains full color and B&W photography throughout. This book captures the vision, wit, and down-to-earth inventiveness of one of the most influential and beloved architects of the early twentieth century. This is a large-form book, available for DOMESTIC SHIPPING ONLY. Previous owner's signature on front end page, otherwise clean copy. Record # 33948
Softcover. Durham, NC, Duke University Press, Reprint, 2008, Book: Fair, Dust Jacket: None, 460 pages, soft cover. Covers are in fair condition, with sticker residue on the rear cover, minor wear to the bottom of the spine, and the remains of a paste-in on the inside front cover. Interior pages are clean and bright. Binding is solid. Contains B&W photography throughout. This book is a collection of essays which, taken together, enrich the field of jazz studies by showing how gender dynamics have shaped the production, reception, and criticism of jazz culture. Clean copy. Record # 34131
Softcover. Washington, DC., National Gallery of Art / Tate Publishing, 1st, 2006, Book: Good, Dust Jacket: None, 219 pages, soft cover. Covers have bumped corners with minor staining, and one long crease is present on the rear. Interior pages are clean and bright. Binding is solid. Contains full-color photography throughout. This landscape art book was published to accompany a National Gallery of Art museum exhibition in 2006, and brings together John Constable's large-scale masterpieces with their compositional sketches, allowing for a new appreciation of Constable's artistic process. Clean copy. Record # 34346
Hardcover. New York, Franklin Watts, 1986, Book: Good, Dust Jacket: Good, 155 pages. Contains black & white photography. Small dent to bottom of front cover. Dust jacket with minor rubbing, edgewear. Record # 801674
Hardcover. NY, Duell, Sloan & Pearce, 1st thus, 1950, Book: Very Good, Dust Jacket: Fair, 432 pages, hardcover. Dust jacket has several open tears. Covers are clean and bright, as are interior pages. Binding is solid. B&W photography throughout. Richard Aldington was a very close friend and associate of Lawrence. This book is written in a professional tone, respectful of the artist, but mindful that the truth must be told even if it's not always celebratory. There can be no doubt that Aldington recognized both the genius and complexity of D.H. Lawrence. Clean copy. Record # 33741
Hardcover. NY, W. W. Norton & Company, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 449 pages, hardcover. Dust jacket, covers, and interior pages are all clean and bright. Binding is solid. B&W photography and illustrations throughout. Remainder dot present on the bottom edge. This book combines extensive fieldwork, archival research, interviews with living musicians, and first-person accounts with Gioia's own calm, argument-closing incantations to draw a line through a century of Delta blues. This engrossing narrative is flavored with insightful and vivid musical descriptions that ensure an understanding of not only the musicians, but the music itself. Clean copy. Record # 33777
Softcover. NY, Shelter Harbor Press, 1st, 2017, Book: Very Good, Dust Jacket: None, 223 pages, soft cover. Covers are clean and bright, as are interior pages. Binding is solid. Contains full-color photography and illustrations throughout. This book is a definitive look at how geometry changed the world of art forever. It follows the artists of the renaissance, whose search for perspective and visual depth led them to the study of geometry. This compelling volume uses engaging text, compelling historical accounts and beautiful illustrations to immerse readers in the fundamental renaissance forms which, although conceived over five-hundred years ago, still have the capacity to awe and inspire us with their beauty. Clean copy. Record # 34337