Paperback. Newbury, VT, Smith and Kraus, 1st thus wraps, 1994, Book: Very Good, Dust Jacket: None, Transl. by Nicholas Saunders and Frank Dyer. INSCRIBED BY SAUNDERS who starred in other Chekhov plays at Mark Tapor Theatre in Los Angeles.
Paperback. New York, Harper & Row, Rep. wraps, 1987, Book: Very Good , Dust Jacket: None, 223 pages. The Paperback Edition of the Broadway play, with many B&W photos of the production.
Hardcover. New Haven, Yale University Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 230 pages. Hardcover with dust jacket. Clean, tight copy.
Hardcover. London, Hodder & Stoughton, 1st Thus, 1912, Book: Very Good, Dust Jacket: None, 198 pages. Hardcover. Green cloth boards with gilt decoration to front cover and spine. 25 tipped-in full color plates and black & white images by Hugh Thomson. Hinges intact but tender. Light wear. Clean, tight copy.
Hardcover. New York, Limited Editions Club, 1st Thus, 1964, Book: Very Good, Dust Jacket: None, 122 pages. Limited Editions Club. SIGNED ON LAST PAGE BY ILLUSTRATOR T. M. CLELAND. HAND NUMBERED #794 OF 1500. Black slipcase with light wear. A bright, clean copy.
Paperback. New York, Hyperion, 1st wraps, 1995, Book: Very Good, Dust Jacket: None, 290 pages. Paperback. Black & white photographs. Remainder mark on bottom book edge.
Hardcover. Boston, MA, Athenaeum Press, 1st, 1987, Book: Very Good, Dust Jacket: None, Two volume hardcover set, Vol. (618 pages), Vol. (590 pages). No dust jackets. Some wear to edges of covers, slight scuffs and blemishes. Covers of volume 1 has two stains, with staining marks extending slightly into the text block, from front end papers to page 50. Previous owner's signature in pen in front end papers of both volumes, "Sept 25, 1913". Annotations in pen in first hundred pages of vol 1.
New York, Fireside Theatre, Book Club, 1991, Book: Very Good, Dust Jacket: Very Good, 115 pages.black & white photographs. Remainder mark on bottom book edge.
Hardcover. Hove, Combrides, 1st, 1934, Book: Good, Dust Jacket: None, 353 pages. Hardcover without dust jacket. Blind stamp on cover. Gilt titles on spine. Front hinge cracked. Spine cocked. Some stains to fore edge, otherwise clean, tight copy.
Hardcover. New York, Random House , 1st, 1962, Book: Very Good, Dust Jacket: Good, stills from the 1961 production staring Art Carney & Elizabeth Ashley, dj w/ soil otherwise
NY, Theatre Communications Group, 1st, 1997, Book: Very Good, Dust Jacket: None, 330 pages. Some pages are creases, with small markings on front edge and cover. Otherwise very good. Previous owner's signature on front fly leaf.
Softcover. Cham, Switzerland, Palagrave Mcmillan, 1st, 2016, Book: Very Good, Dust Jacket: None, 229 pages. Softcover. Wrapper excellent, binding tight. Bright and clean inside. In great shape, like new. This book asserts the extraordinary quality of mid-twentieth century playwright Terence Rattigan's dramatic art and its basis in his use of subtext, implication, and understatement.
Paperback. Berkeley, CA, California University Press, 1st wraps, 2000, Book: Very Good, Dust Jacket: None, 110 pages. Paperback. Introduction by Jeffrey Meyers.
Paperback. Berkeley, CA, California University Press, 1st wraps, 2000, Book: Very Good, Dust Jacket: None, 110 pages. Paperback. Introduction by Jeffrey Meyers.
 "Specimens of the Pre-Shaksperean DramaManly, John Matthews")