Hardcover. New York, George Braziller, 1st USA, 1983, Book: Very Good, Dust Jacket: Very Good, 246 pages. Hardcover. Dust jacket unclipped. B/w illustrations throughout. Untrimmed deckled edges. In excellent condition. Covers bound in black glittered cloth, gilt titles on spine and decoration on front cover.
Softcover. Paris, Reunion des Musees Nationaux, 1st, 2000, Book: Very Good, Dust Jacket: None, 239 pages. Softcover. Soiling to top edge of textblock. An otherwise clean copy with only minor edgewear. Color illustrations throughout.
Softcover. Berkeley, CA, University of California Press, Reprint, 1991, Book: Very Good, Dust Jacket: None, 252 pages. Softcover. Heavy foxing to textblock edges. Sunfading to dust jacket. Otherwise a clean copy with minor wear to wrappers.
Softcover. Berkeley CA, University of California Press, reprint, 1989, Book: Very Good, Dust Jacket: None, 235 pages, paperback. Essays exploring the relation between gender, eroticism, and violence through close analysis of a range of both high and popular cultural forms. Minor rubbing and edgewear to wraps. Unmarked. A clean and tight
Softcover. Seattle, University of Washington Press , 1st, 1941, Book: Very Good, Dust Jacket: None, Softcover, 159 pages, literary journal with articles on language in early literary work. Essays on Hoffman as a Lyric Writer, Edmund Spenser, Cooper's "The Prairie", Moutesquieu and Hume, others. Vol. 2, No. 1. Clean.
Softcover. New York, Midmarch Arts Press, 1st, 1992, Book: Very Good, Dust Jacket: None, 358 pages. Softcover with sunfaded spine. Light sunfade to front left margin. Clean, tight copy.
Softcover. San Diego, CA, Museum of Contemporary Art San, 1st, 1995, Book: Very Good, Dust Jacket: None, 64 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Full page color photographs throughout.
Softcover. Washington, DC, Corcoran Gallery of Art, reprint, 1968, Book: Good, Dust Jacket: None, Reprint of the 1956 edition. 62 pages. White stiff wrappers with light wear and staining to spine and cover. Overall a nice, tight copy.
Hardcover. Pittsburgh, PA, University of Pittsburgh Press, 1st Edition, 1991, Book: Near Fine, Dust Jacket: Near Fine, 317 pages. Hardcover. Color frontispiece, over 100 illustrations in b/w throughout. Cover boards bound in black cloth, gilt title on spine. Dust jacket unclipped, excellent. Binding tight, spine straight. Pages clean and bright, unmarked. This book is fresh out of its shrink wrap, immaculate. In beautiful condition. Several essays by various scholars all celebrating his life and work.
Hardcover. San Diego, Mho & Mho Works, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 2 volumes in slipcase. Still in original publishers shrinkwrap. Slipcase corners square.
Hardcover. New York, Harry N. Abrams, Inc., 1st, 1999, Book: Very Good, Dust Jacket: Very Good, 200 pages, illustrated throughout. Minor dust jacket edge wear, otherwise, in very good condition.
New York, Viking Press, 1st, 1972, Book: Very Good, Dust Jacket: None, 143 pages. Hardcover with no dust jacket. Fading from former dust jacket flaps inside front and back covers. Very clean, unmarked copy with only minor wear to dust jacket edges. Tight copy. Color and black & white images throughout.
Softcover. Cambridge, MA, MIT Press/Institute for Architecture and Urban Studies, 1st, 1980, Book: Very Good, Dust Jacket: None, 128 pages. Art journal published quarterly by MIT Press, on behalf of the Institute for Architecture and Urban Studies, Spring 1980. White wrappers, perfect binding, b&w illustration throughout. Slight rubbing to covers, pages crisp and unmarked; overall, a very clean, tight copy.
Softcover. Cambridge MA , MIT Press, 1985, Book: Very Good, Dust Jacket: None, 119 pages plus ads, softcover, b&w illustrations. A quarterly journal of art criticism. Essays include Viktor Shklovsky on poetry and trans-sense language, Hal Foster on the primitive in modern art, Christian Metz on photography and fetish, an interview with video artist Bill Viola, other articles. Clean, tight copy.
Softcover. Yale University Press, 1st, 1967, Book: Very Good, Dust Jacket: None, 141 pages. Minor corner and edgewear and fade, otherwise, very clean and tight copy.
Softcover. London, England, British Film Institute, Reprint, 1978, Book: Good, Dust Jacket: None, 87 pages. Softcover. Minimal pencil markings throughout. Previous owner's signature on front end cover. Several black and white photographs throughout. Light edge wear on spine & some sunfade. Some creasing and small price sticker on back cover.
Hardcover. Canada, Irsa Verlag, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 400 pages. Hardcover with dust jacket. Rubbing to dust jacket. An otherwise clean, unmarked copy with minor edgewear to dust jacket. Color illustrations throughout. SIGNED AND INSCRIBED BY BARBARA PIASECKA JOHNSON.
Softcover. Berkeley, CA, University of California Press, 1st, 2000, Book: Very Good, Dust Jacket: None, 323 pages. Softcover. B/w illustrations throughout. Wrapper very good, has a touch of agewear. Some light (erasable) pencil markings throughout. A small spot of moisture damage to top last few pages of book, doesn't affect text or illustrations. A smudge or two to top edge. "Kozloff shows why dialogue has been neglected in the analysis of narrative film and uncovers the essential contributions dialogue makes to a film's development and impact."
Hardcover. London, British Museum Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. 64 color and 42 black & white illustrations. A tight copy.
Hardcover. Lincoln, NE, University of Nebraska Press, 1st Edition, 1989, Book: Near Fine, Dust Jacket: Very Good, 194 pages plus plates. Color and b/w illustrations at back of book. Previous owner's inscription on half title page. Cover boards bound in red cloth, gilt title on spine. Dust jacket unclipped, has a touch of shelf wear (see image). Binding tight, spine straight. Pages clean and bright. In excellent condition. Heine's role as art critic and innovator of art criticism has gone largely unexamined until this book.
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