New York , Knopf, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, 294 pages. A collection of his articles on the theatre written betwen 1957 and 1968.
Hardcover. Concord MA, Albert Lane/Erudite Press, 2nd Ed., 1903, Book: Very Good, Dust Jacket: None, Hardcover, gray-green boards over green cloth spine, 35 pages, frontis portrait plus 3 halftone plates. First published in 1890, "It is a pious duty to his memory to correct the errors of fact that were ... reported in the first edition of the Glimpse 1890." Jones was part of the rehabilitation of Thoreau's reputation and appreciation. Previous owner's bookmark on inside front cover, Paper label on spine mostly gone, otherwise clean, very good.
Hardcover. New York , Macmillan, 1st, 1925, Book: Very Good, Dust Jacket: None, 376 pages, orange cloth covers with black lettering. INSCRIBED BY MOORE on the front fly leaf. Bright, clean copy.
Hardcover. Albuquerque, NM, University of New Mexico Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 198 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket.
Hardcover. New York, Simon & Schuster, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 416 pages. Hardcover. Illustrated with black & white photographs, one full color section. Dust jacket with light wear along edges. Clean, tight copy.
Hardcover. New York, George Braziller, 1st, 1969, Book: Good, Dust Jacket: Good, 286 pages. Hardcover. B&w illustrations throughout. Includes appendix of featured artists. Some dust jacket tears repaired with tape. Faint foxing to top edge, otherwise a clean, tight copy.
Hardcover. New York, Columbia University Press, 1st, 1970, Book: Good, Dust Jacket: Good, 437 pages, hardcover with dust jacket. Volume 1, a collection of first reviews and articles pertaining to W.B. Yeats. Heavy fading and age toning to price-clipped dust jacket. Moderate age toning to text block edges. Unmarked. A tight copy.
Hardcover. New York, Farrar Straus & Giroux, 3rd Printing, 1997, Book: Very Good, Dust Jacket: Very Good, 426 pages. Hardcover with dust jacket. Sunfading to dust jacket. Light soiling to textblock edges. Otherwise a very clean, unmarked copy with only minor dust jacket wear. A tight copy. Black and white illustrations throughout.
Hardcover. London, Lund Humphries Publishers, 1st, 1999, Book: Good, Dust Jacket: Good, 252 pages. Hardcover. Volume 1 only. Gilt title on spine. Dust jacket unclipped, dj has some foxing to its underneath, but doesn't show outside. Some yellowing with age and foxing to edges, but pages still clean inside. Still in good condition.
Hardcover. New York, Museum of Modern Art, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, 148 pages. B/W photographs. Minor wear on edges of dust jacket.
Softcover. Lanham, University Press of America, Inc., 1st, 1985, Book: Very Good, Dust Jacket: None, 76 pages. Softcover. INSCRIBED ON INSIDE FRONT COVER BY AUTHOR. Light wear. Clean, unmarked text.
Hardcover. New York, NY, The MacMillan Company, Second Printing, 1971, Book: Very Good, Dust Jacket: Good, 268 pages. Hardcover. Brown cloth boards with light sunfade to edges & gilt titles to spine. Black & white illustrations throughout. Dust jacket with moderate wear to edges, small tears, price-clipped & light age toning. Author received the Pulitzer Prize for Distinguished Criticism in 1970, related ephemera laid-in. Light small spots to right edge. Else clean, unmarked.
Hardcover. London, Yale University Press, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, 192 pages. Illustrated with black & white plates. Dust jacket shows light wear with sun fading to spine. Clean, tight copy.
Hardcover. US, Univ of Missouri Pr, 1st, 1988-08-01, Book: Very Good, Dust Jacket: Very Good, 149 pages. Clean, unmarked copy with only minor wear to dust jacket. Record # 461473
Hardcover. New York , Weidenfeld and Nicolson, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, 293 pages, b&w illustrations. Light marking to 9 pages, otherwise very good. In a bright, unclipped dust jacket. Record # 407380
Softcover. Champaign, University of Illinois, 1st, 1992, Book: Very Good, Dust Jacket: None, 88 pages plus ads. Softcover. Features: Michael Curtin on "Scientific Anti-Communism" in Documentaries, John Berks on Psychoanalsis and The Cat People, Krin Gabbard on Mo' Better Blues and Representations of the Jazz Trumpet, Angela Dalle-Vacche on Vincente Minnelli as Artist and Auteur. Clean unmarked text. Record # 611348
Softcover. Washington, DC., National Gallery of Art / Tate Publishing, 1st, 2006, Book: Good, Dust Jacket: None, 219 pages, soft cover. Covers have bumped corners with minor staining, and one long crease is present on the rear. Interior pages are clean and bright. Binding is solid. Contains full-color photography throughout. This landscape art book was published to accompany a National Gallery of Art museum exhibition in 2006, and brings together John Constable's large-scale masterpieces with their compositional sketches, allowing for a new appreciation of Constable's artistic process. Clean copy. Record # 34346
Hardcover. NY, Henry Holt and Company, 1st thus, 1911, Book: Very Good, Dust Jacket: None, 407 pages, hardcover. Blue cloth boards are in very good condition, despite some light bumping to the corners. Interior pages are clean and bright. Binding is solid. This book provides an alternate explanation for Darwin's mechanism of evolution, suggesting that evolution is motivated by an elan vital, a "vital impetus" that can also be understood as humanity's natural creative impulse. Bergson suggests that the experience of time as "duration" can best be understood through creative intuition, not through intellect. Clean copy. Record # 34358
Hardcover. San Francisco, North Point Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, 237 pages. Hardcover. Light wear. Clean, tight copy. Record # 613452
Hardcover. NY, Duell, Sloan & Pearce, 1st thus, 1950, Book: Very Good, Dust Jacket: Fair, 432 pages, hardcover. Dust jacket has several open tears. Covers are clean and bright, as are interior pages. Binding is solid. B&W photography throughout. Richard Aldington was a very close friend and associate of Lawrence. This book is written in a professional tone, respectful of the artist, but mindful that the truth must be told even if it's not always celebratory. There can be no doubt that Aldington recognized both the genius and complexity of D.H. Lawrence. Clean copy. Record # 33741
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