Paperback. Chicago, Art Institute of Chicago & Hirshhorn Museum and Sculpture Garden, 1st, 2001, Book: Very Good, Dust Jacket: None, Unpaginated, paperbacks. Two volumes in pictorial slipcase. Text in English and Italian. Introduction/criticism copy has age soiling, slight yellowing to edges, and lightly soiled wraps. Otherwise, a tight and unmarked set.
Hardcover. Leipzig, Im Insel-Verlag, 1st, 1913, Book: Good, Dust Jacket: None, Hardcover, original quarter black cloth and blue paper-covered boards; spine lettering in gilt. With 96 full-page illustrations. GERMAN TEXT. Previous owner's bookplate inside front cover. Publisher's flyers laid in. Top of text block darkened, light foxing to endpapers otherwise clean, very good.
Hardcover. New Haven CT, Yale University Press, 1st, 1985, Book: Very Good, Dust Jacket: None, 175 pages, paperback. Views of the "The Thinker" that most people have never seen and that writers have not commented on. Light rubbing to wraps. Slight fading to rear panel. Previous owner's inscription to front flyleaf. Black-and-white photographs throughout. A tight copy.
Hardcover. Geneva, Switzerland, Nagel Publishers, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, 129 pages. Hardcover. Color and b/w illustrations throughout. Tipped-in plates. Cover boards bound in bright yellow, gilt title on spine and front cover. Dust jacket unclipped, shows just a touch of age wear. In excellent condition for its age. Clean and bright inside.
Hardcover. Chicago, University of Chicago Press, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, 272 pages, b&w illustrations. INSCRIBED BY AUTHOR on half-title page. Light edgewear to dust jacket.
Hardcover. US, Jupiter Books, 1st , 1980-01-01, Book: Very Good, Dust Jacket: Very Good, 170 pages. Extensive b&w and color illustrations throughout. Gilt titles on spine. Includes extensive bibliography. Clean, unmarked copy with only minor wear to dust jacket.
Softcover. London UK, Thames and Hudson, reprint, 1990, Book: Very Good, Dust Jacket: None, 324 pages, paperback. The most compact and accurate survey of creative and dynamic activity that influenced the progress of Western art and architecture. Revised and enlarged edition. Mild rubbing and light fading to wraps. 256 illustrations, 21 in color. Unmarked. A clean and tight copy.
Hardcover. U.K., Edinburgh University Press, 1st, 1966, Book: Good, Dust Jacket: Good, 214 pages, hardcover with dust jacket. Previous owner's bookplate on front endpapers. Price-clipped. Heavy rubbing and fading to dust jacket. Light pencil marking to front panel of dust jacket as well. Heavy edgewear to dust jacket top edge. Age toning to top text block edge as well. Unmarked. A tight copy.
Softcover. New York, NY, Praeeger Publishers, Inc. , 1st, 1970, Book: Very Good, Dust Jacket: None, 144 pages. Light wear on spine. Black and white photographs throughout. Previous owner's signature on front endpaper. Small sticker on half title page. Light wear, small chips & creases to edges of wraps.
Hardcover. New York, 1st, October 1997, Book: Very Good, Dust Jacket: Very Good, 255 pages, b&w and color illustrations throughout. Spine slightly cocked and faded. Else a clean, tight copy.
Hardcover. New York , D. Appleton and Co., reprint, 1889, Book: Very Good, Dust Jacket: None, Hardcover, pale blue cloth covers stamped in dark blue and gilt, 616 pages plus ads. Page 13/14 loose but present, otherwise clean, very good
Hardcover. Manchester, United Kingdom, Manchester University Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 189 pages. Hardcover with dust jacket. INSCRIBED & SIGNED BY AUTHOR on Half Title page. Light erasable pencil markings throughout. Several black and white photographs. Front and back covers in very good condition. Dust jacket with only marginal wear to edges.
Hardcover. Boston, Colonial Press Company, NA, NA, Book: Good, Dust Jacket: None, 413 pages. Hardcover. Black & white illustrations related to problems of perpective. Small damp wrinkle at top of preliminary pages. Some light staining to spine label and cover cloth. Clean, unmarked text.
Softcover. Durham NC, Duke University Press, 1st, 2008, Book: Very Good, Dust Jacket: None, 312 pages, paperback. An exploration of the nature of photography and cinema both before and after the advent of digital media. Unmarked. Bright and clean; a tight copy.
Hardcover. New York, Simon and Schuster, 2nd Printing, 1964, Book: Very Good, Dust Jacket: Good, 224 pages, illustrated throughout in b&w. INSCRIBED BY AUTHOR on front end paper. Light edgewear, rubbing and soil to dust jacket, else a clean, tight copy.
New York , Abrams, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, 232 pages. 119 illustrations, 8 plates in color. Edited by Irene Gordon & Frances Weitzenhoffer. A collection of Rewalds's essays, published over 50 years. Remainder line on top edge.
Hardcover. Baltimore, Johns Hopkins University Press, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, 243 pages. Hardcover. INSCRIBED BY AUTHOR ON FRONT ENDPAPER. Light wear. Clean, tight copy.
Hardcover. Cambridge MA, MIT Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, 344 pages, b&w illustrations. Clean, very good jacket, unclipped.
Hardcover. Boston, The Bibliophile Society, rep, Book: Very Good, Dust Jacket: None, Blue and cream colored cloth folder containing 13 blue sheets of paper (plus cover sheet) with Swinburne's written essay: Mr. Whistler's Lecture on Art. Signs of a ribbon tie which is gone.
Hardcover. New York, NY, Alfred A. Knopf, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 217 pages. Hardcover. B/w illustrations throughout. Binding tight. Spine straight. Dust jacket unclipped, excellent. Deckled foreedge. Pages and edges clean and unmarked. Tan cover boards, tan quarter cloth, gilt title on spine. In beautiful condition. Hofstadter shows us the artist in the act of being an artist - in the act of being a human being.
Softcover. Cham, Switzerland, Palagrave Mcmillan, 1st, 2016, Book: Very Good, Dust Jacket: None, 229 pages. Softcover. Wrapper excellent, binding tight. Bright and clean inside. In great shape, like new. This book asserts the extraordinary quality of mid-twentieth century playwright Terence Rattigan's dramatic art and its basis in his use of subtext, implication, and understatement.
 "Rodin (GERMAN EDITION)Rilke, Rainer Maria")
 "RubensDownes, Kerry")
 "Subterfuge of Art - Language and the Romantic Tradition, TheRagussis, Michael")
 "Surrealist Look, The - An Erotics of EncounterCaws, Mary Ann")