Hardcover. New York, Metropolitan Museum of Art, 1st, 1998, Dust Jacket: Very Good, 511 pages, INSCRIBED BY EDITOR ON TITLE PAGE, hundreds of b&w and color illustrations, gilt-lettered spine, color illustrated dust jacket. Light wear to cover, front hinge cracked; otherwise, a clean and tight copy.
Softcover. Sarasota, FL, John and Marble Ringling Museum of Art, 1st, 1975, Book: Very Good, Dust Jacket: None, Exhibition catalog. Blue stapled covers, foreword by Richard S. Carroll, introductory text by Hugh F. McKean, profusely illustrated with full color and b&w plates. Light wear to covers; a very clean, tight copy.
Softcover. Newark NJ, The Newark Museum Association, 1st, 1977, Book: Good, Dust Jacket: None, 40 pages, staple covers with color illustration.Black and white plates throughout. Selected bibliography.
Softcover. Newark, NJ, The Newark Museum, 1st, 1977, Book: Good, Dust Jacket: None, 44 pages. Illustrated throughout in black and white and color. Some rubbing on wrappers and binding, some writing inside, else a good copy.
Hardcover. Allentown Art Museum, 1st, 1979, Book: Good, Dust Jacket: None, 295 pages, illustrated throughout in b&w. Light shelf-wear and foxing to wrappers and edges. Previous owner
Hardcover. New York, Museum of Primitive Art, 1st, 1959, Book: Good, Dust Jacket: Good, 100 pages. Hardcover. Section of black & white photographs in rear. Pencil notes on inside of back cover. Darkening, light wear to dust jacket. Clean, tight copy.
Softcover. Massachusetts, multiple publishers, 1st, 1980, Book: Very Good, Dust Jacket: None, Six art catalogs published together in a white slip case. "A collaboration among six museums in the Boston area, consists of six separately conceived exhibitions...". Sizes of catalogs differ so that edges stagger to reveal all six titles from front of slip case. Text by James Sheldon. Catalog titles: "Directions in Realisms," "Mavericks," "Painterly Abstraction," "Sitework," "Spiral: Afro-American Art of the 70's," and "Photography: Recent Directions." Light wear to slip cover edges, discoloration to revealed edges of catalogs; otherwise a very clean, tight copy of a unique set of exhibition catalogs.
Softcover. Massachusetts, multiple publishers, 1st, 1980, Book: Very Good, Dust Jacket: None, Six art catalogs published together in a white slip case. "A collaboration among six museums in the Boston area, consists of six separately conceived exhibitions...". Sizes of catalogs differ so that edges stagger to reveal all six titles from front of slip case. Text by James Sheldon. Catalog titles: "Directions in Realisms," "Mavericks," "Painterly Abstraction," "Sitework," "Spiral: Afro-American Art of the 70's," and "Photography: Recent Directions." Light wear to slip cover edges, discoloration to revealed edges of catalogs; otherwise a very clean, tight copy of a unique set of exhibition catalogs.
Hardcover. New York, The Museum of Modern Art, 1st, 1972, Book: Good, Dust Jacket: Good, 228 pages, hardcover with dust jacket. Techniques and methods of assemblage, presented in seventy-eight graded projects describing actual teaching situations. Moderate rubbing, soiling, and fading to dust jacket. Age spotting to top rear panel. Staining and light age spotting to text block edge. Otherwise, unmarked. A tight copy.
Softcover. Long Beach, CA, Long Beach Museum of Art, 1st, 1983, Book: Very Good, Dust Jacket: None, 65 pages, illustrated throughout in b&w. Published in celebration of the tenth anniversary of the woman's building. Pictorial stiff wrappers. Light wear to edges, back cover slightly wrinkled, else a nice, tight, clean copy.
Hardcover. Los Angeles, Museum of Contemporary Art, 1st Edition, 1998, Book: Very Good, Dust Jacket: Very Good, 336 pages. Hardcover. Printed to accompany the exhibition "At the End of the Century - One Hundred Years of Architecture," Museum of Contemporary Art, Los Angeles. Black cloth covers, yellow titles. 316 illustrations including 148 in full color. Essays by architecture historians, Zeynep Celik, Jean-Louis Cohen, Beatriz Colomina, Jorge Francisco Liernur, Elizabeth A. T. Smith, Anthony Vidler & Hajime Yatsuka. Dust jacket with small tear to rear. Otherwise, clean and bright copy.
Hardcover. Boston, MA, Museum of Fine Arts, 1st, 1993, Book: Near Fine, Dust Jacket: Near Fine, 348 pages. 259 illustrations, including 152 plates in full color. Surveys the vast medium of watercolor through the 19th and early 20th centuries, displaying artist such as La Farge, Prendegrast, Wyeth, West, Marin, Homer, Sargent and many others. The first full scale book published documenting the outstanding collection of watercolor at the Boston Museum of Fine Arts. Blue cloth, dark blue lettering to spine and front cover. Beautiful pictorial dust jacket displaying Homer's "The Blue Boat". Like new.
Hardcover. Boston, Boston Museum of Fine Arts, 1st, 1993, Book: Very Good, Dust Jacket: None, 266 pages, hardcover, no dust jacket. A thorough survey of American watercolorists. With contributions by Roy Perkinson and Annette Manick. Many full color illustrations throughout. Light fading to spine. Unmarked. Bright and clean, a tight copy.
softcover. New York, Guggenheim Museum Publications, 1st, 2004, Book: Very Good, Dust Jacket: None, 375 pages. Softcover. Color photographs throughout. Light edge wear to wrappers.
Hardcover. Baltimore, Maryland, Baltimore Museum of Art, 1947, Book: Near Fine, Dust Jacket: None, Catalogue for an exhibition featuring Baltimore furniture dating from the eighteenth through the early nineteenth centuries. 193 pages with 125 catalogue entries, each illustrated with multiple black/white photographs. Very slight bumping to the ends of the spine.
Softcover. Washington, D.C., The Smithsonian Institution, 1st, 1978, Book: Very Good, Dust Jacket: None, Catalog of the collection of bags and bandboxes at the Cooper-Hewitt Museum. White covers with color plates on front. Minor rubbing and marking. Staple wrappers are tight, pages clean and crisp. Numerous b/w plates of bags in the museum's collection. Organized by style of bag. Introductory essay on the bag in art. 33 pages.
Washington, DC, The Smithsonian Institution's National Museum of Design, 1st, 1978, Book: Very Good, Dust Jacket: None, 32 pages. Illustrated throughout in black and white. Some wear and discoloration to edges and wrappers, else a good copy.
Softcover. Milwaukee, WI, Patrick and Beatrice Haggerty Museum of Art, 1st, 1988, Book: Very Good, Dust Jacket: None, 128 pages, paperback. The prints, drawings, watercolors and photographs of noted artist Barbara Morgan. With essays by Curtis L. Carter and William Agee. Rubbing and shelfwear to wraps. Previous owner's inscription to front flyleaf. Color and b&w plates throughout. A bright and tight copy.
Softcover. Cleveland, OH, Cleveland Museum of Art, 1st, 2006, Book: Very Good, Dust Jacket: None, 524 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Color illustrations throughout.
Softcover. Waltham, Massachusetts, Rose Art Museum, Brandeis University, 1st, 1984, Book: Very Good, Dust Jacket: None, 56 pages. Stiff textured light brown covers with blind stapled titles and folded flaps, acknowledgments and introductory essay titled "The Art of William Beckman and Gregory Gillespie" by Carl Belz, catalogue of the exhibition,16 color and b&w plates by each artist. Slight rubbing to covers, tiny brown marking to lower right edge of front cover, slight break to upper portion of spine; otherwise a very clean, tight copy in great condition.
Softcover. New York, NY, Museum of Contemporary Crafts of the American Craftsmen's Council, 1st, 1966, Book: Near Fine, Dust Jacket: None, Purple covers with very little wear, only minor rubbing along the edges. Staple binding. Pages are clean and crisp. 52 b/w plates.
Softcover. New York , Metropolitan Museum of Art, 1st, 1970, Book: Good, Dust Jacket: None, 322 pages, illustrated throughout in color and b&w. Light shelf-wear and de-lamination to wrappers. Previous owner's signature on front end paper. Inernally very good
Softcover. New York, Metropolitan Museum of Art, 1st, 1970, Book: Very Good, Dust Jacket: None, 322 pages. Perfect binding, color illustration to covers, profusely illustrated with color and sepia plates, foreword by Thomas P. F. Hoving, preface by Dudley T. Easby, Jr. Rubbing to covers, otherwise a very clean, tight copy.
 "Awash in Color: Homer, Sargent, and the Great American WatercolorReed, Sue Welsh & Carol Troyen")
 "Aztec Empire, TheSolis, Felipe")