Softcover. New York, NY, The City University of New York, 1st, 1989, Book: Good, Dust Jacket: None, 179 pages. Softcover, special issue on Orson Welles from the Journal of the Film Faculty of the City University of New York. Light creasing on spine. Minimal pencil markings throughout. Previous owner's signature on front endpaper. Black and white photographs throughout. Minor chips & creasing to spine edge.
Hardcover. New York, W W Norton & Co Inc, 1st, 1993, Book: Very Good, Dust Jacket: Good, 281 pages, minor dust jacket edge wear and foxing on edges, otherwise, very clean and tight copy.
Softcover. Malden, MA, Blackwell Publishing, First Edition, 2005, Book: Very Good, Dust Jacket: None, 308 pages. Softcover with only faint, marginal wear to edges. Features essays by Noel Carroll, Malcolm Turvey, Gilles Deleuze, Hugo Munsterberg, Rudolph Arnheim among many others. Black & white illustrations throughout. Faint (erasable) pencil to last two chapters by previous owner. Otherwise, clean and unmarked copy.
Hardcover. Princeton, NJ, Princeton University Press, Reprint, 1990, Book: Very Good, Dust Jacket: Very Good, 249 pages. Hardcover. B/w illustrations throughout. Light (erasable) pencil notes/underlining in a few places. Previous owner's signature on front flyleaf. Dust jacket unclipped, has some chipping on front cover, very good. Cover boards bound in green cloth, gilt title on spine. Front cover board has a bump/dent and some fading (see image). Binding tight, spine straight. Greene reveals to English-speaking readers the diverse talents that made Pasolini one of the most controversial European intellectuals of the postwar era, at the center of political and cultural debates still vital to our time.
Softcover. New York, NY, Praeeger Publishers, Inc. , 1st, 1970, Book: Very Good, Dust Jacket: None, 144 pages. Light wear on spine. Black and white photographs throughout. Previous owner's signature on front endpaper. Small sticker on half title page. Light wear, small chips & creases to edges of wraps.
Hardcover. London, Ashgate, reprint, 2010, Book: Very Good, Dust Jacket: Very Good, 248 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Silver gilt on spine.
Hardcover. Manchester, United Kingdom, Manchester University Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 189 pages. Hardcover with dust jacket. INSCRIBED & SIGNED BY AUTHOR on Half Title page. Light erasable pencil markings throughout. Several black and white photographs. Front and back covers in very good condition. Dust jacket with only marginal wear to edges.
Softcover. London, British Film Institute, 1st, 1972, Book: Very Good, Dust Jacket: None, Sight and Sound - Summer 1972. 63 pages. Features: "Theory and Practice: the criticism of Jean-Luc Godard","The Wild Bunch verses Straw Dogs", "The Golden Years of Grierson", "Andy Warhol: Iconographer", and more. Illustrated with black & white photographs. Clean, tight copy.
Softcover. Durham NC, Duke University Press, 1st, 2008, Book: Very Good, Dust Jacket: None, 312 pages, paperback. An exploration of the nature of photography and cinema both before and after the advent of digital media. Unmarked. Bright and clean; a tight copy.
Hardcover. Ann Arbor, University of Michigan Press, reprint, 1971, Book: Very Good, Dust Jacket: Good, 198 pages. B&w illustration. Foxing to edges. Some edgewear, spotting to dust jacket. Else a nice, clean copy.
Softcover. Bruxelles, Syntheses, 1st, 1947, Book: Very Good, Dust Jacket: None, 108 pages. Softcover. FRENCH TEXT. Features: Charles Spaak, Marc Soriano, Georges Sadoul, Dilys Powell, Raoul Ploquin, Jacques Borel, Charles Dekeukeleire, Denis Marion, Leon Degand, Bruno L. Richmond, F. M. Tavera, Marc Varenne, Nelly Cormeau, Drogman. Toning to page edges. Clean, unmarked copy.
Softcover. San Francisco, Mercury House, 1st, 1994, Book: Very Good, Dust Jacket: None, 380 pages. National Society of Film Critics video guide. B/W photographs. Very clean.
Hardcover. New York, Coward, McCann & Geoghegan. Inc., 1st Edition, 1980, Book: Very Good, Dust Jacket: Very Good, 295 pages. Hardcover. Dust jacket unclipped, very good. Brown cover boards, black quarter cloth, gilt title on spine. Deckled foreedge. Pages clean. Binding tight. Spine straight. In very good condition. A lively and important contribution to the literature of film, this is a rich collection of reports and criticism from one of our most distinguished novelists and short-story writers.
Hardcover. New York, Atheneum, 2nd Pr., 1968, Book: Very Good, Dust Jacket: Very Good, 479 pages. Dust jacket shows light wear along edges. Previous owners bookplate on front endpaper. Clean, tight copy.
Hardcover. New York , Viking Press, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover, 373 pages, a rich collection of her film and theatre writing. In a bright, unclipped dust jacket. Previous owner's signature on title page otherwise clean.
Softcover. Lawrence, University of Kansas, 1st, 1969, Book: Very Good, Dust Jacket: None, 56 pages. Softcover. Features: Donald S. Skoller - Praxis in Two Bresson Films, Philip G. Rosen: The Chaplin World-View, Richard MacCann: Film and U.S. Foreign Policy. Clean, unmarked text. Record # 611315
Softcover. Iowa City, University of Iowa, 1st, 1971, Book: Very Good, Dust Jacket: None, 68 pages. Softcover. Features: Walter Korte: Marxism and Formalism in Visconti's Films, John Schultheiss: The 'Eastern' Writer in Hollywood, Symposium on Published Scripts. Black smudges on back cover. Clean, unmarked text. Record # 611311
Softcover. Lawrence, University of Kansas, 1st, 1971, Book: Very Good, Dust Jacket: None, 72 pages. Softcover. Features: Walter Korte: Marxism and Formalism in Visconti's Films, John Schultheiss: The 'Eastern' Writer in Hollywood, Symposium on Published Scripts. Clean, unmarked text. Record # 611317
Softcover. Iowa City, University of Iowa, 1st, 1969, Book: Very Good, Dust Jacket: None, 72 pages. Softcover. Features: Peter Harcourt: Six European Directors, Hubert Cohen: The Heart of Darkness in Citizen Kane, Russell Merritt: Dixon, Griffith, and the Southern Legend. Clean, unmarked text. Record # 611319
Softcover. Champaign, University of Illinois, 1st, 1992, Book: Very Good, Dust Jacket: None, 88 pages plus ads. Softcover. Features: Michael Curtin on "Scientific Anti-Communism" in Documentaries, John Berks on Psychoanalsis and The Cat People, Krin Gabbard on Mo' Better Blues and Representations of the Jazz Trumpet, Angela Dalle-Vacche on Vincente Minnelli as Artist and Auteur. Clean unmarked text. Record # 611348
Softcover. Lawrence, University of Kansas, 1st, 1995, Book: Very Good, Dust Jacket: None, 132 pages. Softcover. Features: Richard Abel on Pathe Films and the American Cinema, Matthew Bernstein on the banning of Scarlet Street, Annette Brauerhoch on Mommie Dearest as melodrama and horror, Nita Rollins on Painting and Fashion in The Cook, The Thief, His Wife and Her Lover, Dirk Eitzen on Documentary as a mode of reception, Bert Deivert on film research on the internet. Clean, unmarked text. Record # 611352
Softcover. Champaign, University of Illinois, 1st, 1997, Book: Very Good, Dust Jacket: None, 116 pages plus ads. Softcover. Features: Tim Anderson on music in the nickelodeons, David Slavin on French colonist filmmaking in the 20's, Rick Worland on Hollywood Horror movies of WWII, Poshek Fu on Chinese filmmaking under the Japanese occupation, Trevor Ponech on perception and spectatorship. Clean, unmarked text. Record # 611334
Softcover. Champaign, University of Illinois, 1st, 1998, Book: Very Good, Dust Jacket: None, 109 pages plus ads. Softcover. Features: Karen Hollinger on the Popular Lesbian Film, Jenny Kwok Wah Lau on Hong Kong Comedy of the 1980's, Kenneth Chan on Black Action Films of the 1990's, Asuman Suner on M. Butterfly, Carl Plantinga on Unforgiven, David Bordwell, Stuart Minnis and Peter Lehman on Pluralism in Film Studies. Clean, unmarked text. Record # 611335
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