Softcover. Iowa City, University of Iowa, 1st, 1973, Book: Very Good, Dust Jacket: None, 80 pages. Softcover. Features: J. L. Anderson: Japanese Swordfighters, American Gunfighters, Richard Meran Barsam: "This Is America" - Documentaries for Theaters. Clean, unmarked text. Record # 611321
Softcover. Iowa City, University of Iowa, 1st, 1975, Book: Very Good, Dust Jacket: None, 80 pages. Softcover. Features: J. Dudley Andrew: The Film Theory of Jean Mitry, Richard Abel: The Contribution of the French Literary Avant-Garde to Film Theory and Criticism (1907-1924), David A. Cook: Some Structural Approaches to Cinema: A Survey of Models, james M. Welsh and Steven Philip Kramer: Abel Gance's Accusation Against War, Lotte Eisner interviewed by David Williams: Films in Paris. Clean, unmarked text. Record # 611324
Softcover. Iowa City, University of Iowa, 1st, 1977, Book: Very Good, Dust Jacket: None, 88 pages. Softcover. Features: Charles F. Altman: Towards a Historiography of American Film, Burnes Hollyman: Alexander Black's Picture Plays 1893-1894, Lucy Fischer: Rene Clair, Le Million, and the Coming of Sound, James Damico: News Marches in Place - Kane's Newsreel as a Cutting Critique, William Goetz: The Canadian wartime Documentary - Canada Carries On and The World in Action. Clean, unmarked text. Record # 611328
Softcover. Champaign, University of Illinois, 1st, 1988, Book: Very Good, Dust Jacket: None, 56 pages plus ads. Softcover. Features: David Bordwell on Propp and Film Narratology, Lea Jacobs on Blonde Venus and Censorship, Robert Lang on Kiss Me Deadly. Clean, unmarked text. Record # 611330
Softcover. Champaign, University of Illinois, 1st, 1989, Book: Very Good, Dust Jacket: None, 83 pages plus ads. Softcover. Features: Homages to Gerald Mast, Jacques Ledoux, George Pratt, Robert Burgoyne on 1900, Mimi White on Representing Romance in Recent Hollywood Film, Charlie Keil on Griffith's Late Biograph Films. Clean, unmarked text. Record # 611331
Softcover. Champaign, University of Illinois, 1st, 1992, Book: Very Good, Dust Jacket: None, 99 pages plus ads. Softcover. Features: Lucy Fischer on Birth Traumas and Rosemary's Baby, Timothy R. White on the American Broadcasting-United Paramount Merger, Sabina Hake on Self-Referentiality in Early German Cinema, SCS Membership Directory. Clean unmarked text. Record # 611346
Softcover. Lawrence, University of Kansas, 1st, 1996, Book: Very Good, Dust Jacket: None, 171 pages plus ads. Softcover. Features: Jennifer Peterson on Johnny Guitar, Charles Tashiro on History Films and Paintings, Radha Subramanyam on Rudaali and Subaltern Feminist Film Theory, Jeffrey A. Brown on Point of No Return and the Action Heroine, Sumiko Higashi, Robert C. Allen, and Ben Singer on Manhattan's Nickelodeons. Clean, unmarked text. Record # 611354
Softcover. Champaign, University of Illinois, 1st, 1998, Book: Very Good, Dust Jacket: None, 161 pages plus ads. Softcover. Features: Joanne Hershfield on Race in Bird of Paradise, Rhona J. Berenstein on Lesbian Representations in Rebecca and The Uninvited, Sumiko Higashi on Melodrama and Race in World War II Propaganda Newsreels, Martin Roberts on Baraka and Global Culture, Sabine Haenni on Crosscutting, Social Spaces, and Silent Film. Clean, unmarked text. Record # 611336
Softcover. Champaign, University of Illinois, 1st, 1985, Book: Very Good, Dust Jacket: None, 86 pages plus ads. Softcover. Features: Dennis Turner on The Conversation, William Boddy on Hollywood and TV, The Future of Cinema Studies: Part II. Clean unmarked text. Record # 611343
Softcover. Champaign, University of Illinois, 1st, 1988, Book: Very Good, Dust Jacket: None, 88 pages plus ads. Softcover. Features: Ben Singer on Christian Metz, Patricia R. Zimmermann on Home Movies, Kathryn Kalinak on Music and The Magnificent Ambersons, Andrew Horton on When Father Was Away on Business, Cinema Journal Index. Clean, unmarked text. Record # 611329
Softcover. Champaign, University of Illinois, 1st, 1989, Book: Very Good, Dust Jacket: None, 68 pages plus ads. Softcover. Features: Barbara Klinger on Digression and Mass Culture, Catherine Russell on Samuel Beckett Videos, Christine Anne Holmlund on Pumping Iron and Pumping Iron II, Society for Cinema Studies Constitution, Cinema Journal Index. Clean, unmarked text. Record # 611333
Softcover. Champaign, University of Illinois, 1st, 1989, Book: Very Good, Dust Jacket: None, 68 pages plus ads. Softcover. Features: Barbara Klinger on Digression and Mass Culture, Catherine Russell on Samuel Beckett Videos, Christine Anne Holmlund on Pumping Iron and Pumping Iron II, Society for Cinema Studies Constitution, Cinema Journal Index. Clean, unmarked text. Record # 611332
Softcover. Champaign, University of Illinois, 1st, 1992, Book: Very Good, Dust Jacket: None, 81 pages plus ads. Softcover. Features: Steven Alan Carr on CBS, Cencorship, and the Smothers Brothers, Ilsa J. Bick on the Look Back in E.T., Gregory T. Taylor on Sergei Eisenstein, Annette Michelson, and the Avant-Garde's Scholarly Aspiration. Clean unmarked text. Record # 611347
Softcover. Lawrence, University of Kansas, 1st, 1996, Book: Very Good, Dust Jacket: None, 130 pages plus ads. Softcover. Features: Charles O'Brien on Dreyer's La Passion de Jeanne d'Arc, Vance Kepley Jr. on Soviet Cinema under the First Five-Year Plan, Leger Grindon on the Boxing Film as Genre, William Boddy on Moral Panics and . Clean, unmarked text. Record # 611355
Softcover. Champaign, University of Illinois, 1st, 1992, Book: Very Good, Dust Jacket: None, 82 pages plus ads. Softcover. Features: Stephen Prince and Wayne Hensley on Kuleshov, Gregory Waller on Black Moviegoing, Chris Berry on Chinese Film, Yosefa Loshitzky and raya Meyuhas on The Last Emperor. Clean unmarked text. Record # 611345
Softcover. Champaign, University of Illinois, 1st, 1992, Book: Very Good, Dust Jacket: None, 77 pages plus ads. Softcover. Features: Kristin Thompson Report on the Fair Usage Publication of Film Stills, Richard Allen on Representation, Illusion, and Cinema, Kenneth Johnson on the Point of View of the Wandering Camera, Pamela Robertson on Mae West's Identification with the Feminist Camp. Clean unmarked text. Record # 611349
Softcover. New York, Columbia University Press, 1st, 2003, Book: Very Good, Dust Jacket: None, 285 pages. Illustrated with primarily black & white photographs. Clean, tight copy. Record # 609900
Softcover. New York, Entertainment Weekly Books, 1st, 1999, Book: Very Good, Dust Jacket: None, 160 pages. Time, Inc. Special Issue. B/W and color photographs. Very clean. Record # 802667
Softcover. New York, New American Library, 1st, 1988, Book: Very Good, Dust Jacket: None, 144 pages. B/W photographs. Very clean. Minor stain on back cover, bottom of front cover curled. Record # 802665
Hardcover. New York , W.W. Norton and Company, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, 281 pages. B/W photographs. Front fly leaf missing. Dust jacket scuffed otherwise very clean. Record # 802672
Softcover. New Haven CT, Yale University Press, 1st, 2008, Book: Very Good, Dust Jacket: None, 284 pages, soft cover. Covers are clean and bright, as are interior pages. Binding is solid. Contains more than 100 B&W and full-color photographs and illustrations throughout. This wide-ranging book is the first to explore the visual culture of Russia over the entire span of Russian history, from ancient Kiev to contemporary, post-Soviet society. The book examines the ways that Russians have represented themselves visually and used visual images in social and political contexts. Expert contributors discuss images and objects from all over the Russian/Soviet empire, including consumer goods, architectural monuments, religious icons, portraits, news and art photography, popular prints, films, folk art, and more. Clean copy. Record # 33975
Hardcover. Baltimore, The Johns Hopkins Universiy Press, 1st, 1992, Book: Very Good, Dust Jacket: Good, 308 pages, hardcover. Dust jacket flaps both were folded inwards, but are still in good condition. Cloth covers are clean and bright, as are interior pages. Light foxing present on the top edge of the pages. Binding is solid. In "Screening the Text" T. Jefferson Kline argues that the French new wave's rebel stance is far more complex and problematic than critics usually acknowledge. Challenging conventional views of film and literature in postwar France, Kline explores the new wave's unconscious--even oedipal--obsession with the tradition it claimed to reject. Clean copy. Record # 33800
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![Screening the Text: Intertextuality in New Wave French Cinema [INSCRIBED COPY] by: Kline, Jefferson T.](http://www.monroestreetbooks.com/images/books/33800.jpg "Screening the Text: Intertextuality in New Wave French Cinema [INSCRIBED COPY] by: Kline, Jefferson T.")